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Watchmen (2009)

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2:33 | Trailer

On Disc

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In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.

Director:

Zack Snyder

Writers:

David Hayter (screenplay), Alex Tse (screenplay) | 1 more credit »
Popularity
223 ( 54)
11 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
Malin Akerman ... Laurie Jupiter / Silk Spectre II
Billy Crudup ... Dr. Manhattan / Jon Osterman
Matthew Goode ... Adrian Veidt / Ozymandias
Jackie Earle Haley ... Rorschach
Jeffrey Dean Morgan ... Edward Blake / Comedian
Patrick Wilson ... Dan Dreiberg / Nite Owl
Carla Gugino ... Sally Jupiter / Silk Spectre
Matt Frewer ... Moloch
Stephen McHattie ... Hollis Mason
Laura Mennell ... Janey Slater
Rob LaBelle ... Wally Weaver
Gary Houston ... John McLaughlin
James M. Connor ... Pat Buchanan (as James Micheal Connor)
Mary Ann Burger Mary Ann Burger ... Eleanor Clift
John Shaw ... Doug Roth
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Storyline

In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by evan murphy

Plot Summary | Plot Synopsis

Taglines:

We're society's only protection. See more »


Motion Picture Rating (MPAA)

Rated R for strong graphic violence, sexuality, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

6 March 2009 (USA) See more »

Also Known As:

Watchmen: The IMAX Experience See more »

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Box Office

Budget:

$130,000,000 (estimated)

Opening Weekend USA:

$55,214,334, 8 March 2009, Wide Release

Gross USA:

$107,509,799, 28 May 2009

Cumulative Worldwide Gross:

$185,258,983
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Director's Cut) | (Ultimate Cut)

Sound Mix:

SDDS | DTS | Dolby Digital | Dolby

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In some of the later trailers, a shot of Dan Dreiberg a.k.a. Nite Owl II crying out and dropping to his knees, can be briefly seen. Unlike the case of scenes being in trailers that usually don't make it in the theatrical feature, this turned out to be one of the rare cases. See more »

Goofs

In Antarctica, as Rorschach and Nite Owl II slide open the doors when entering the facility, there are conduits and pipes on the right side of the screen that should continue through the wall but do not go anywhere. The sliding door passes through the wall where the pipes/conduits should be going. Also, the large pipe has a match outside but the perspective is not correct to have it meed up with the pipe from inside. See more »

Quotes

Rorschach: The engines!
Dan Dreiberg: They're icing up. Hold on to something!
Rorschach: Daniel, you're coming in too low. Don't wish to interfere with running of ship, but perhaps should pull up sharply before...
Dan Dreiberg: Yeah, I know, I'm trying! I'm trying to pull him up, goddamnit!
See more »

Crazy Credits

Gerard Butler is given second opening credit in the Ultimate Edition (on the fuselage of the airplane in the montage), due to him playing the part of the pirate in the 'Tales of the Black Freighter' segments. See more »

Alternate Versions

The Director's Cut is 20 minutes longer than the Theatrical Version. Differences:
  • While Rorschach is in The Comedian's apartment, two uninformed cops enter to investigate noises.
See more »

Connections

Features Who's the Boss? (1984) See more »

Soundtracks

The Times They Are A-Changin'
Written and Performed by Bob Dylan
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
See more »

Frequently Asked Questions

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User Reviews

 
We All Watch the Watchmen
26 February 2009 | by ftylSee all my reviews

Let's get this out of the way - Watchmen the movie is not as good as the graphic novel.

Zack Snyder's Watchmen is not your average graphic novel adaptation. Unlike with 300, which was short and sharp and shallow and easy to adapt, the original Watchmen is incredibly dense and, as written, unfilmable. So Snyder did something very smart - he didn't even try. What he did instead was to take the world of Watchmen and rebuild it in a way which made a virtue of this new medium (film) rather than try to cram the graphic novel into a cinematic form.

Nowhere is this approach more obvious than in the film's title sequence. A wonderfully composed collage of images depicts scenes from the universe of Watchmen in a way which is only possible in the movies. In this way, we are subconsciously introduced to a world where costumed heroes are a part of everyday culture and brought, in a stylish and fluid way, from the original days of the Minutemen to those of the Watchmen. This introduction is cinematically perfect and is indicative of the heights which the Watchmen movie is perfectly capable of achieving but not quite capable of sustaining.

Watchen is a brave film for a major studio to make and without a doubt it would not exist in its present form without the success of 300. It is incredibly dark (both in tone as well as shooting style) with events that would be anathema to any other superhero story. The less you know about the story, the better so there will be no spoilers here but suffice to say Watchmen's version of a happy ending is a far cry from the Hollywood norm.

Snyders brings his unique approach to action to bear on Watchmen, expanding on the action scenes in the comic without making it feel too redundant. His efforts are ably supported by the incredibly game cast, excellent cinematography and near perfect visual effects - this film is incredible to look at but also manages to create an entire world in a way which most superhero stories never do. The attention to detail in even the smallest scenes is commendable and the dense flashback structure means the same attention is paid to the presentation of full and complex characters.

Snyder has made a film which is gorgeous to look at, agreeably violent, well written, wonderfully designed and features some of the best small scale action sequences ever committed to celluloid. But, naturally, not everything is perfect. Most of the performances are excellent, with a cast of relative unknowns who manage to distinguish themselves despite constantly competing with overbearing effects and design. Patrick Wilson, in particular, does great work with a difficult role as Nite Owl, while Jackie Earle Hayley is blistering as Rorschach. Unfortunately in a film which could have done with a strong female presence, neither Carla Gugino nor Malin Ackerman make much of an impression, despite having quite a lot of screen time. Synder's musical cues are another bone of contention - often pushing the tone of the film into the realm of parody. And the ending... well let's just say it cheapens the experience in search of the lowest common denominator and the whole package suffers. On a related note, neither of the stories major revelations are handled that well. These moments were genuinely shocking in the graphic novel but are almost glossed over in the film.

Don't get the wrong impression, Watchmen is a good film, sometimes a great film. Snyder has managed to make a movie which is a terrifically well balanced compromise between accessibility and fidelity. That anyone can sit down in the cinema and experience a distillation of the Watchmen universe in just 163 minutes is a marvel. It does not deliver the depth of feeling and connection of the novel but that is more a matter of the differences in the media than a failure on the part of the film.

On its own merits, Zack Synder's Watchmen is a dark and twisted tale peopled with complex characters whose motivations are not obvious even to themselves. It is a solid film, sometimes rising into the extraordinary, and deserves to be successful. This is not Alan Moore's Watchmen but it is a competent extension of the universe into another medium and a worthy cinema-going experience.


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