In a version of 1985 where superheroes exist, the murder of a colleague sends active vigilante Rorschach on the trail of a conspiracy that will change the course of history.In a version of 1985 where superheroes exist, the murder of a colleague sends active vigilante Rorschach on the trail of a conspiracy that will change the course of history.In a version of 1985 where superheroes exist, the murder of a colleague sends active vigilante Rorschach on the trail of a conspiracy that will change the course of history.
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- 12 wins & 24 nominations total
- Pat Buchanan
- (as James Micheal Connor)
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Summary
Featured reviews
While it is not Alan Moore's Watchmen, it is the closest thing that anyone else could have put on the screen. Snyder approached the material with enough reverence that fans of the comic will appreciate the film. As Snyder has openly declared, the final act does include significant changes, but the alterations that take place fit better on the big screen than the original ending would have. It works because it cuts down on a lot of the necessary back story which Snyder could not include.
Even though many pages of the book were not included, Snyder did take the time to try and preserve other information by including short "historical" sequences in the fantastic opening title sequence. By this point, viewers will also have had a chance to appreciate the stellar, and time appropriate, soundtrack. Unlike the hard rock recordings the Snyder chose for the background of 300, Watchmen's background fits the tone and mood of most of the scenes. The only questionable choice was the selection of Leonard Cohen's "Hallelujah," not because of the recording, but rather its awkward placement. Some may also question Snyder's inclusion of gore not present in the book. While the comic does include it's share of violence, Snyder did overtly change several scenes to be more violent. These changes, while flashy on film, may disturb squeamish moviegoers. However, changes aside, Snyder has captured the essence of the book and packaged it in a beautiful 2 hour and 40 minute delight. Overall, it is a satisfying film experience for someone familiar with the source material.
But this might be a different experience for anyone who does not know the book. There is a lot to digest, and the overwhelming visuals may distract some moviegoers from the bigger picture. The interaction of these unique characters remains an integral point to understanding this film, and when the book was pared down for the movie, the relationships of the masked adventures became a bit more forced. The best part of the comic was the glimpse of what is "beneath the hood," and we have less of that in Snyder's adaptation. Additionally, the ending, while simplified, is still a bit convoluted.
Fans and those previously unfamiliar with Watchmen should go in with an open mind. Snyder has performed what Doctor Manhattan might deem a miracle, so it may take more than one viewing to truly appreciate this unique adaptation.
Like I said in the tittle, the world wasn't ready for this movie, if it had came out in this time it would've blown the front door. The way it was made, special effects, graphic fight scenes, nudity, dark tone and soundtrack, Zack Snyder really knocked it out of the park with this one. This is how every super hero film should be made. Not a blockbuster comedy wanna be.
For a super hero film, a true 10/10 in my book!
Zack Snyder's Watchmen is not your average graphic novel adaptation. Unlike with 300, which was short and sharp and shallow and easy to adapt, the original Watchmen is incredibly dense and, as written, unfilmable. So Snyder did something very smart - he didn't even try. What he did instead was to take the world of Watchmen and rebuild it in a way which made a virtue of this new medium (film) rather than try to cram the graphic novel into a cinematic form.
Nowhere is this approach more obvious than in the film's title sequence. A wonderfully composed collage of images depicts scenes from the universe of Watchmen in a way which is only possible in the movies. In this way, we are subconsciously introduced to a world where costumed heroes are a part of everyday culture and brought, in a stylish and fluid way, from the original days of the Minutemen to those of the Watchmen. This introduction is cinematically perfect and is indicative of the heights which the Watchmen movie is perfectly capable of achieving but not quite capable of sustaining.
Watchen is a brave film for a major studio to make and without a doubt it would not exist in its present form without the success of 300. It is incredibly dark (both in tone as well as shooting style) with events that would be anathema to any other superhero story. The less you know about the story, the better so there will be no spoilers here but suffice to say Watchmen's version of a happy ending is a far cry from the Hollywood norm.
Snyders brings his unique approach to action to bear on Watchmen, expanding on the action scenes in the comic without making it feel too redundant. His efforts are ably supported by the incredibly game cast, excellent cinematography and near perfect visual effects - this film is incredible to look at but also manages to create an entire world in a way which most superhero stories never do. The attention to detail in even the smallest scenes is commendable and the dense flashback structure means the same attention is paid to the presentation of full and complex characters.
Snyder has made a film which is gorgeous to look at, agreeably violent, well written, wonderfully designed and features some of the best small scale action sequences ever committed to celluloid. But, naturally, not everything is perfect. Most of the performances are excellent, with a cast of relative unknowns who manage to distinguish themselves despite constantly competing with overbearing effects and design. Patrick Wilson, in particular, does great work with a difficult role as Nite Owl, while Jackie Earle Hayley is blistering as Rorschach. Unfortunately in a film which could have done with a strong female presence, neither Carla Gugino nor Malin Ackerman make much of an impression, despite having quite a lot of screen time. Synder's musical cues are another bone of contention - often pushing the tone of the film into the realm of parody. And the ending... well let's just say it cheapens the experience in search of the lowest common denominator and the whole package suffers. On a related note, neither of the stories major revelations are handled that well. These moments were genuinely shocking in the graphic novel but are almost glossed over in the film.
Don't get the wrong impression, Watchmen is a good film, sometimes a great film. Snyder has managed to make a movie which is a terrifically well balanced compromise between accessibility and fidelity. That anyone can sit down in the cinema and experience a distillation of the Watchmen universe in just 163 minutes is a marvel. It does not deliver the depth of feeling and connection of the novel but that is more a matter of the differences in the media than a failure on the part of the film.
On its own merits, Zack Synder's Watchmen is a dark and twisted tale peopled with complex characters whose motivations are not obvious even to themselves. It is a solid film, sometimes rising into the extraordinary, and deserves to be successful. This is not Alan Moore's Watchmen but it is a competent extension of the universe into another medium and a worthy cinema-going experience.
Did you know
- TriviaAll of the U.S. flags in the film have 51 stars, because in the film's alternate history, Vietnam became the 51st state after America won the Vietnam War.
- Goofs(at around 1h 8 mins) Doctor Manhattan describes a "circulatory system" appearing on the grounds of a government base. However what is depicted is clearly the nervous system, as it features a brain and spinal cord, but no heart or lungs. (This error is repeated from the novel.)
- Quotes
Rorschach: I heard joke once: Man goes to doctor. Says he's depressed. Life seems harsh, and cruel. Says he feels all alone in threatening world. Doctor says: "Treatment is simple. The great clown - Pagliacci - is in town. Go see him. That should pick you up." Man bursts into tears. "But doctor..." he says "I am Pagliacci." Good joke. Everybody laugh. Roll on snare drum. Curtains.
- Crazy creditsThe opening credits themselves often cast shadows in the frame that correspond with the flashes from photographer's bulbs.
- Alternate versionsIn Thailand the genitals of Dr Manhattan are masked and where Rorschach attack with an ax the victim's head is heavily blurred.
- ConnectionsEdited from Tales of the Black Freighter (2009)
- SoundtracksUnforgettable
Written by Irving Gordon
Performed by Nat 'King' Cole (as Nat King Cole)
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Watchmen. Los vigilantes
- Filming locations
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Box office
- Budget
- $130,000,000 (estimated)
- Gross US & Canada
- $107,509,799
- Opening weekend US & Canada
- $55,214,334
- Mar 8, 2009
- Gross worldwide
- $185,382,813
- Runtime2 hours 42 minutes
- Sound mix
- Aspect ratio
- 2.39 : 1