In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot.Written by
Author Alan Moore preemptively disowns all filmed adaptations of his work, as he sold the movie rights to his first few volumes when he was young and naïve, and regrets this. When asked in an interview with ReelzChannel.com about original Moore's dismissal of his movie, Zack Snyder was quoted as saying "Worst case scenario - Alan puts the movie on his DVD player on a cold Sunday in London and watches and says, 'Yeah, that doesn't suck too bad.'" When this was brought up with Moore himself in a later interview in the British Tripwire comics fanzine, the writer commented "That's the worst case scenario? I think he's underestimated what the worst case scenario would be... that's never going to happen in my DVD player in 'London' [Moore very famously lives in Northampton]. I'm never going to watch this fucking thing." (Reportedly, on another occasion, a better-tempered Moore said that it's probably a good movie in its own right, but he is indifferent to movies based on his work.) Still, Snyder has said that his ultimate hope is that someday Moore will actually see the film and feel it to be a decent representation of the original graphic novel. See more »
The third and final inkblot shown to Rorschach by the psychiatrist is not the same after his flashback. See more »
[after knocking out and then electrocuting a thug against a toilet]
Hm. Never disposed of sewage with a toilet before. Obvious, really.
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The company logos are black-on-yellow, with text set in Futura Condensed, the font used for titles throughout the graphic novel and film. See more »
The Director's Cut is 20 minutes longer than the Theatrical Version. Differences:
While Rorschach is in The Comedian's apartment, two uninformed cops enter to investigate noises.
I have a serious problem with this film. I have seen it a half-dozen times, taken it apart, put it back together, tried to find something wrong with it and I cannot. I am coming to the reluctant conclusion it may be one of the greatest films ever made, likely a top-10, right up there with Citizen Kane, Alien, Godfather, you know the drill. The story is dazzling, action-packed, politically aware, and brilliant. As good or better than Sin City. The actors, many of whom (sigh) I am not familiar with are brilliant. Jackie Earle Haley practically picks the film up bodily and carries it. The direction is not merely good it is perfect. Even the sound track seems to move the story along. (And I am no fan of Zack Synder outside of this film. MAN OF STEEL was a sellout to the "action" crowd, creating chaos out of order. Ditto Sucker Punch). But art is like that. Sometimes it surprises you. Many critics have said that Social Network is the new Citizen Kane. But they confabulate. This film could actually be.
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