In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot.Written by
In the opening montage, you see a B-29 bomber with the name "Miss Jupiter". The name of the pilot stenciled on the plane is Peter Aperlo, one of the writers. See more »
When Dan and Laurie leave the diner, some of her hair is alternately (not) hanging over the front of her left shoulder. See more »
Rorschach's journal, October 13th, 1985. 8:30 PM. Meeting with Dreiberg left bad taste in mouth. A flabby failure who sits whimpering in his basement. Why are so few of us left active, healthy, and without personality disorders? The first Nite Owl runs an auto repair shop. The first Silk Spectre is a bloated, aging whore, dying in a California rest resort. Dollar Bill got his cape stuck in a revolving door where he got gunned down. Silhouette, murdered: a victim of her own indecent ...
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The opening credits themselves often cast shadows in the frame that correspond with the flashes from photographer's bulbs. See more »
It is 1985, Richard Nixon is serving his fifth term as US president and the world stands on the brink of destruction as the world's two superpowers vie for nuclear supremacy. The only thing stopping the USSR from launching a doomsday attack is America's Dr Manhattan a being with enough power to destroy planets and much else besides.
Wow! I was lucky enough to watch this at a preview screening in London last night and came to the film with little knowledge about what to expect. Having seen the posters around the place and perhaps catching one or two of the trailers I was expecting something akin to another "X-Men" movie (which frankly I've never found particularly interesting). However, it was a very pleasant surprise to find that Zack Snyder has served up something entirely fresh and quite dazzling. Watchmen takes the well-worn superhero format and turns it on its head. As you would expect from a movie of this genre you get a tale of attempted world domination by evil baddies, good guys wearing latex costumes, fistfuls of action and spectacular special effects. What you would not expect is to have this interwoven with eye-watering violence (a scene where one particularly nasty bad guy gets a meat cleaver brought down on his forehead being one example), full frontal male nudity (albeit computer generated) and rampant satire. The US political system, military posturing and blind patriotism are all given a bit of a roasting by David Hayter and Alex Tse's script. Add to this a host of compelling performances, notably Jackie Earle Haley as Rorschach and Patrick Wilson as Nite Owl, and you have an exceptional cinematic experience.
Watchmen is no ordinary superhero movie and likely to manage the difficult feat of satisfying both the fan-boys and the uninitiated punters (like myself). Its success means it must be highly likely that there will be a sequel if not several. Catch this early if you can and be one of the first to witness that rarefied thing in cinema something beautiful, exciting and original.
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