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Watchmen (2009)

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In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.

Director:

Zack Snyder

Writers:

David Hayter (screenplay), Alex Tse (screenplay) | 1 more credit »
Popularity
347 ( 49)
11 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
Malin Akerman ... Laurie Jupiter / Silk Spectre II
Billy Crudup ... Dr. Manhattan / Jon Osterman
Matthew Goode ... Adrian Veidt / Ozymandias
Jackie Earle Haley ... Rorschach
Jeffrey Dean Morgan ... Edward Blake / Comedian
Patrick Wilson ... Dan Dreiberg / Nite Owl
Carla Gugino ... Sally Jupiter / Silk Spectre
Matt Frewer ... Moloch
Stephen McHattie ... Hollis Mason
Laura Mennell ... Janey Slater
Rob LaBelle ... Wally Weaver
Gary Houston ... John McLaughlin
James M. Connor ... Pat Buchanan (as James Micheal Connor)
Mary Ann Burger Mary Ann Burger ... Eleanor Clift
John Shaw ... Doug Roth
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Storyline

In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by evan murphy

Plot Summary | Plot Synopsis

Taglines:

Justice is coming to all of us. No matter what we do. See more »


Motion Picture Rating (MPAA)

Rated R for strong graphic violence, sexuality, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

6 March 2009 (USA) See more »

Also Known As:

Watchmen: The IMAX Experience See more »

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Box Office

Budget:

$130,000,000 (estimated)

Opening Weekend USA:

$55,214,334, 8 March 2009, Wide Release

Gross USA:

$107,509,799, 28 May 2009

Cumulative Worldwide Gross:

$185,258,983
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Director's Cut) | (Ultimate Cut)

Sound Mix:

SDDS | DTS | Dolby Digital | Dolby

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The pistols used by the Comedian are D&L Sports "Professional Model" .45 longslides, and are actual firearms, not prop pieces. See more »

Goofs

When the coffin is brought to the graveside there is no vault or frame to place it on prior to lowering it into the hole. See more »

Quotes

Adrian Veidt: The only person with whom I felt any kinship with died three hundred years before the birth of Christ. Alexander of Macedonia, or Alexander the Great, as you know him.
See more »

Crazy Credits

The company logos are black-on-yellow, with text set in Futura Condensed, the font used for titles throughout the graphic novel and film. See more »

Alternate Versions

The Director's Cut is 20 minutes longer than the Theatrical Version. Differences:
  • While Rorschach is in The Comedian's apartment, two uninformed cops enter to investigate noises.
See more »


Soundtracks

First We Take Manhattan
Written and Performed by Leonard Cohen
Courtesy of Columbia Records and Sony Music Entertainment (Canada)
By arrangement with Sony Music Entertainment
See more »

Frequently Asked Questions

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User Reviews

 
A Great Action Epic, But Nothing More
1 March 2009 | by magicwingsSee all my reviews

With 300, Zack Snyder had the problem of having not enough meat on the bone - Frank Miller's violent graphic novel was short and in-your-face, with director Snyder compensating by spending pretty much all of it's two hour runtime in super-slow motion. Here the problem is reversed: Alan Moore's unfilmable, complicated and very, very deep graphic novel seemed simply too dense for any director to take by the horns and be successful. Hell, even Moore himself deemed it so - so much that he disowned the film entirely.

Here, Snyder has two audiences: those familiar, and those who aren't. If you're the latter, Watchmen is a masterwork of literature, telling the story of a group of masked avengers who, since outlawed, live empty and lonely lives. When one is killed in his apartment, Rorschach, who dons the famous ever-moving mask, takes it upon himself to get to the root of the real reason for the death, but stumbles onto something much larger than he could ever have expected.

It really is a character piece. Each one, filled off-screen with complicated, articulate back-stories is brought to life on screen by some of the most heartfelt acting I've seen in a long time (save perhaps Malin Ackerman as the latex-wearing Silk Spectre II), particularly from Billy Crudup who plays the blue, often naked (and well-hung) demi-god who is the only superhero with real superpowers.

Although the star of the show is Rorschach himself. Despite being behind a mask for the large majority of the film, Jackie Earle Haley is beyond perfect for the role. His husky voice commands the voiceovers from Rorschach's journal (recited in many cases word-for-word from the novel), and plays the psychopathic, paranoid and immensely complex role with such a force that you simply can't tear your eyes away from him.

Snyder made himself known with 300 - the ultra-violent story of the Spartans who went to war (and lost… miserably). However, Watchmen makes 300 seem like Mary Poppins - this has got to be one of the most violent films I have ever seen. All the book's action sequences are there, just… bigger. More badass. Gory as hell. And, for some reason Snyder decided to place a porny, cringy 3 minute sex scene set to Leonard Cohen's "Hallelujah" slap bang in the middle of the film. Sure, it was in the book, but it was shorter, and the soundtrack was most certainly not this poncy.

However, this… discrepancy… is the only gripe (and this is a very minor gripe) that I have with the film. It's hard to watch in places - a rape scene here, a pregnant woman killed there - and even pulls the heartstrings in others (Doctor Manhattan's backstory most definitely (almost) brought me to tears). The book is majorly complex, deep and meaningful, and in it's transition to screen, a lot of that is lost in translation. But what we get is a fantastically artistic, fast-paced action epic. Snyder was aiming for two audiences who are polar opposites, and comes free with an adaptation of which even writer Alan Moore should be proud.


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