In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Dave Lizewski is an unnoticed high school student and comic book fan who one day decides to become a superhero, even though he has no powers, training or meaningful reason to do so.
Director:
Matthew Vaughn
Stars:
Aaron Taylor-Johnson,
Nicolas Cage,
Chloë Grace Moretz
Clark Kent is an alien who as a child was evacuated from his dying world and came to Earth, living as a normal human. But when survivors of his alien home invade Earth, he must reveal himself to the world.
A paraplegic Marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.
Director:
James Cameron
Stars:
Sam Worthington,
Zoe Saldana,
Sigourney Weaver
Following Kick-Ass' heroics, other citizens are inspired to become masked crusaders. But Red Mist leads his own group of evil supervillains to get revenge, kill Kick-Ass and destroy everything he stands for.
Director:
Jeff Wadlow
Stars:
Aaron Taylor-Johnson,
Chloë Grace Moretz,
Christopher Mintz-Plasse
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Director:
Ruben Fleischer
Stars:
Jesse Eisenberg,
Emma Stone,
Woody Harrelson
In a future where a failed climate-change experiment has killed all life except for the lucky few who boarded the Snowpiercer, a train that travels around the globe, a new class system emerges.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.
Fearing that the actions of Superman are left unchecked, Batman takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot.Written by
evan murphy
Billy Crudup wore a white suit covered with blue LEDs for his scenes opposite his fellow actors, giving them something, against which they could perform. He would then be blown up via CGI into the enormous (and blue) Dr. Manhattan. See more »
Goofs
More or less at 1.30 minutes Silk gets out of a cafeteria with Nite owl and wears a pair of Ray Ban Wayfarer that shows the brand "Ray Ban" on the side. Only Ray ban Wayfarer 2 have that logo; the first model "Wayfarer" did not have any logo, not on the lens and neither on the sides. See more »
Quotes
Rorschach:
None of you seem to understand. I'm not locked in here with you. You're locked in here with *ME*!
See more »
Crazy Credits
The company logos are black-on-yellow, with text set in Futura Condensed, the font used for titles throughout the graphic novel and film. See more »
Alternate Versions
In Thailand the genitals of Dr Manhattan are masked and where Rorschach attack with an ax the victim's head is heavily blurred. See more »
Before anyone sees this film, Zach Snyder should be given a pat on the back. He did what a dozen directors struggled to do for twenty years: he made a Watchmen movie. It seems unthinkable that anyone could properly put the greatest graphic novel of all time on the screen. But Snyder has done pretty much that.
While it is not Alan Moore's Watchmen, it is the closest thing that anyone else could have put on the screen. Snyder approached the material with enough reverence that fans of the comic will appreciate the film. As Snyder has openly declared, the final act does include significant changes, but the alterations that take place fit better on the big screen than the original ending would have. It works because it cuts down on a lot of the necessary back story which Snyder could not include.
Even though many pages of the book were not included, Snyder did take the time to try and preserve other information by including short "historical" sequences in the fantastic opening title sequence. By this point, viewers will also have had a chance to appreciate the stellar, and time appropriate, soundtrack. Unlike the hard rock recordings the Snyder chose for the background of 300, Watchmen's background fits the tone and mood of most of the scenes. The only questionable choice was the selection of Leonard Cohen's "Hallelujah," not because of the recording, but rather its awkward placement. Some may also question Snyder's inclusion of gore not present in the book. While the comic does include it's share of violence, Snyder did overtly change several scenes to be more violent. These changes, while flashy on film, may disturb squeamish moviegoers. However, changes aside, Snyder has captured the essence of the book and packaged it in a beautiful 2 hour and 40 minute delight. Overall, it is a satisfying film experience for someone familiar with the source material.
But this might be a different experience for anyone who does not know the book. There is a lot to digest, and the overwhelming visuals may distract some moviegoers from the bigger picture. The interaction of these unique characters remains an integral point to understanding this film, and when the book was pared down for the movie, the relationships of the masked adventures became a bit more forced. The best part of the comic was the glimpse of what is "beneath the hood," and we have less of that in Snyder's adaptation. Additionally, the ending, while simplified, is still a bit convoluted.
Fans and those previously unfamiliar with Watchmen should go in with an open mind. Snyder has performed what Doctor Manhattan might deem a miracle, so it may take more than one viewing to truly appreciate this unique adaptation.
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Before anyone sees this film, Zach Snyder should be given a pat on the back. He did what a dozen directors struggled to do for twenty years: he made a Watchmen movie. It seems unthinkable that anyone could properly put the greatest graphic novel of all time on the screen. But Snyder has done pretty much that.
While it is not Alan Moore's Watchmen, it is the closest thing that anyone else could have put on the screen. Snyder approached the material with enough reverence that fans of the comic will appreciate the film. As Snyder has openly declared, the final act does include significant changes, but the alterations that take place fit better on the big screen than the original ending would have. It works because it cuts down on a lot of the necessary back story which Snyder could not include.
Even though many pages of the book were not included, Snyder did take the time to try and preserve other information by including short "historical" sequences in the fantastic opening title sequence. By this point, viewers will also have had a chance to appreciate the stellar, and time appropriate, soundtrack. Unlike the hard rock recordings the Snyder chose for the background of 300, Watchmen's background fits the tone and mood of most of the scenes. The only questionable choice was the selection of Leonard Cohen's "Hallelujah," not because of the recording, but rather its awkward placement. Some may also question Snyder's inclusion of gore not present in the book. While the comic does include it's share of violence, Snyder did overtly change several scenes to be more violent. These changes, while flashy on film, may disturb squeamish moviegoers. However, changes aside, Snyder has captured the essence of the book and packaged it in a beautiful 2 hour and 40 minute delight. Overall, it is a satisfying film experience for someone familiar with the source material.
But this might be a different experience for anyone who does not know the book. There is a lot to digest, and the overwhelming visuals may distract some moviegoers from the bigger picture. The interaction of these unique characters remains an integral point to understanding this film, and when the book was pared down for the movie, the relationships of the masked adventures became a bit more forced. The best part of the comic was the glimpse of what is "beneath the hood," and we have less of that in Snyder's adaptation. Additionally, the ending, while simplified, is still a bit convoluted.
Fans and those previously unfamiliar with Watchmen should go in with an open mind. Snyder has performed what Doctor Manhattan might deem a miracle, so it may take more than one viewing to truly appreciate this unique adaptation.