In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot.Written by
In the prison, as Silk Spectre and Night Owl are fighting the inmates down the cell block, Silk Spectre's boots go from high stiletto heels to flats. See more »
You see, at the time I was misquoted. I never said 'The Super-man exists and he is American', what I said was '*God* exists and he is American'. Now if you begin to feel an intense and crushing feeling of religious terror at the concept, don't be alarmed. That indicates only that you are still sane.
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Gerard Butler is given second opening credit in the Ultimate Edition (on the fuselage of the airplane in the montage), due to him playing the part of the pirate in the 'Tales of the Black Freighter' segments. See more »
I have a serious problem with this film. I have seen it a half-dozen times, taken it apart, put it back together, tried to find something wrong with it and I cannot. I am coming to the reluctant conclusion it may be one of the greatest films ever made, likely a top-10, right up there with Citizen Kane, Alien, Godfather, you know the drill. The story is dazzling, action-packed, politically aware, and brilliant. As good or better than Sin City. The actors, many of whom (sigh) I am not familiar with are brilliant. Jackie Earle Haley practically picks the film up bodily and carries it. The direction is not merely good it is perfect. Even the sound track seems to move the story along. (And I am no fan of Zack Synder outside of this film. MAN OF STEEL was a sellout to the "action" crowd, creating chaos out of order. Ditto Sucker Punch). But art is like that. Sometimes it surprises you. Many critics have said that Social Network is the new Citizen Kane. But they confabulate. This film could actually be.
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