Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the ... See full summary »
Ten years after their Upper Sixth, Bruno, Momo, Leon and Alain meet together in the waiting room of a maternity hospital. The father of the awaited baby is Tomasi, their best friend at that... See full summary »
An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and ... See full summary »
Xavier is now thirty. No longer a student, he is not yet a well-balanced, fulfilled adult either. His career is unsatisfying: Far from being the renowned novelist he aimed to be he must be content with little jobs such as reporter or ghost writer. His greatest "achievement" in "literature" is his collaboration to the script of a corny TV soap! His sentimental life is not much better, rhythmed by one night stands and unfinished romances. It looks as if when he seduces a woman beautiful outside and inside such as Kassia or Wendy he can't keep them. Will he ever bring his life into focus?Written by
The director never planned on bringing Judith Godrèche back for this sequel. See more »
At the end of the film, Wendy greets Xavier on the Eurostar platform. Non-passengers are not permitted access to the platforms at Waterloo. See more »
[speaks in Russian to ask for the stage lights to be turned back on so that she can practice]
I-I don't - I don't speak Russian. Sorry.
[Natacha climbs up the ladder to reach him]
Hi. I was talking about the lights. I have to work a little bit longer. Just a bit.
I don't understand. Sorry.
I need... the light. To work. Like that.
Like the sun. On the stage.
Sunset? Light? Ok, ok. So you want the lights on.
[...] See more »
During the ending credits there is a scene where Wendy is putting the last piece of the puzzle. See more »
a befitting continuation of the l'auberge espagnole legacy
I like this movie quite a bit. I think the movie has succeeded in depicting the life, the love that intertwines with it, the things that make us different, and those that transcend our cultural and personal differences.
When I first saw L'auberge espagnole, I was embarking on an education journey that would span two continents in the cohort of people from all around the world. L'auberge espagnole was a great prequel to my experience.
In this sequel named "Les Poupées Russes", I find myself again firmly planted in the midst of the characters. In his thirties, Xavier and others' confused relationships reflect a bewilderment in that age group, as some choose to settle down, and some continue to seek the ephemeral.
As for national boundaries, it is interesting that the story now depicts a different set of frontiers for Europe (before the recent constitutional crisis), the UK and Russia. The countries are very different but the people are very similar if you let look beneath the surface. Everyone is looking for a better life with love and happiness.
Ultimately, what makes it all work is what William has done in the movie. We need to make an effort, whether in life or in love, to rise above the walls separating us, perceived or real.
As for the individual characters, Wendy has indeed become quite a fox. If I were Xaiver, I am not sure I would be that interested in Celia. Your mileage may vary, of course. :) Cheers, and enjoy the movie.
7 of 15 people found this review helpful.
Was this review helpful to you?
| Report this