Ryota is a successful workaholic businessman. When he learns that his biological son was switched with another boy after birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.
Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.
Members of a cult, modeled on Aum Shinrikyo, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members of those affected by it meet at the lake to observe the anniversary of their loved ones' deaths.
Jong-su bumps into a girl who used to live in the same neighborhood as him, who asks him to look after her cat while on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and hidden in the luggage, his siblings Shigeru and Yuki. Kyoko, another sibling arrives later by train. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money runs out, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rent.Written by
Claudio Carvalho, Rio de Janeiro, Brazil who never watched the movie based on his comments about 3 children in luggage when there were only two.
Director Hirokazu Koreeda said that during the long filming period, he tried to build a relationship of trust between himself and the children, and also amongst the children themselves. During the children's filming breaks, the children were asked to write in their own journal entries about what they were thinking, ranging from the film to their own everyday concerns. See more »
In the long shot of the mother dusting out the comforter, she swings the carpet beater with her right hand. After the cut she makes a last beat with her left hand. See more »
Kore-eda does it again. A wonderful, detailed, intense, coming of age story.
This film was very well received at the latest Telluride Film Festival where I saw it. Based on a true incident it is the story of 4 children,each a child by a different father, abandoned by their mother, and trying to survive in modern Japan on their own. The film is paced wonderfully slow, allowing the viewer to focus on small details that overlay other details. It does not drag at all and has moments of humor mixed with pathos.
The oldest, a son of about 13 or 14, incredibly acted, becomes the parent. He is in transition from becoming the responsible one of the family and a typical kid, but one with real values.
There are moments where a box of tissues are in order. The film ends in a moment of hope mixed with a real desire to know what ultimately happened to them all.
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