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Munich (2005)

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Based on the true story of the Black September aftermath, about the five men chosen to eliminate the ones responsible for that fateful day.

Director:

Steven Spielberg

Writers:

Tony Kushner (screenplay), Eric Roth (screenplay) | 1 more credit »
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Popularity
1,431 ( 858)
Nominated for 5 Oscars. Another 15 wins & 69 nominations. See more awards »

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Cast

Cast overview, first billed only:
Eric Bana ... Avner
Daniel Craig ... Steve
Ciarán Hinds ... Carl
Mathieu Kassovitz ... Robert
Hanns Zischler ... Hans
Ayelet Zurer ... Daphna
Geoffrey Rush ... Ephraim
Gila Almagor ... Avner's Mother
Michael Lonsdale ... Papa
Mathieu Amalric ... Louis
Moritz Bleibtreu ... Andreas
Valeria Bruni Tedeschi ... Sylvie (as Valéria Bruni Tedeschi)
Meret Becker ... Yvonne
Marie-Josée Croze ... Jeanette the Dutch Assassin (as Marie-Josee Croze)
Yvan Attal ... Tony - Andreas' Friend
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Storyline

After Black September's assassination of Israeli athletes at the Munich Olympics in 1972, Prime Minister Golda Meir okays a covert operation to hunt down and kill all involved. A team of five gathers in Switzerland led by Avner, a low-level Mossad techie whose father was a war hero and whose wife is pregnant. It's an expendable team, but relying on paid informants, they track and kill several in Europe and Lebanon. They must constantly look over their shoulders for the CIA, KGB, PLO, and their own sources. As the body count mounts -- with retribution following retribution -- so do questions, doubts, and sleepless nights. Loyalties blur. What does it mean to be a Jew? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

The world was watching in 1972 as 11 Israeli athletes were murdered at the Munich Olympics. This is the story of what happened next.


Motion Picture Rating (MPAA)

Rated R for strong graphic violence, some sexual content, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Universal [United States]

Country:

France | Canada | USA

Release Date:

6 January 2006 (USA) See more »

Also Known As:

Untitled 1972 Munich Olympics Project See more »

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend USA:

$6,040,860, 25 December 2005, Limited Release

Gross USA:

$47,403,685

Cumulative Worldwide Gross:

$130,358,911
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

DTS-ES | Dolby Digital EX | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

One of the posters in the athletes' apartment is of Masada (captioned in Hebrew script). Masada is of great significance in Jewish history, as it is a fortress Hebrew rebels held out in against Roman troops. Many of the rebels were killed or committed suicide, but it relates to the themes of death and resistance in this movie. See more »

Goofs

When Avner is on the airplane to Geneva, the flight number starts with SA, for South African Airways, which has never flown to Geneva. See more »

Quotes

[first lines]
American Athlete: Hey! Oh! Shame, shame! Closing down the beer garden. 100 meter dash powered by knackwurst and lager.
American Athlete: Where are you guys from?
American Athlete: What is your event?
See more »

Connections

References Never on Sunday (1960) See more »

Soundtracks

Rahji La Bladi
Arrangement & Performed by Rajab Chamlakh
Courtesy of Extreme Production Music USA
See more »

Frequently Asked Questions

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User Reviews

 
A fine effort indeed
15 January 2006 | by filmforum1See all my reviews

Just because this film has been attacked by pols and shills, here's my 2 cents. Spielberg manages to set the agenda, and sets it correctly. It is indeed about the antecedents to 9/11, and bravo to Spielberg for taking it on, but not somewhere in Afghanistan, but at its genesis, the squalor of Palestine.

Spielberg's film is an essay on revenge and how hopeless and self-defeating that ancient temptation is. It's brave of Spielberg to say it to us now; brave, too, to paint the avenging Israelis as somewhere below the Angels. Let's be candid: There are harsh sentiments expressed here, by some Israeli characters, that the Evangelical Lobby simply doesn't want aired.

Spielberg's handling of the Bana character is masterful. Noteworthy is how uncompromising it is: this is a man whose identity has collapsed. It's entirely right that his Israeli handler should refuse the Sabbath-meal invitation at the end, realizing that the bonds of the older religion (and pre-Zionist identity) are shattered and meaningless.

Spielberg might have improved this product (some of the dialogues are horribly wooden). But that's not important. That a mainstream US film should go where this film goes is significant. This is a major-minor event in Spielberg's long and luminous career.


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