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The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004)

Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ... See full summary »

Director:

Peter Greenaway

Writer:

Peter Greenaway
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Cast

Cast overview, first billed only:
JJ Feild ... Tulse Luper
Raymond J. Barry ... Stephan Figura
Valentina Cervi ... Cissie Colpitts
Marcel Iures ... General Foestling
Steven Mackintosh ... Günther Zeloty
Jordi Mollà ... Jan Palmerion
Drew Mulligan Drew Mulligan ... Martino Knockavelli
Ornella Muti ... Mathilde Figura
Anna Galiena ... Madame Plens
Ronald Pickup ... Monsieur Moitessier
Franka Potente ... Trixie Boudain
Isabella Rossellini ... Mme. Moitessier
Maria Schrader ... Felicite
Francesco Salvi ... Paul / Pierre
Ana Torrent ... Charlotte des Arbres
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Storyline

Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him working in a cinema, which gives him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man. Written by Anonymous

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Details

Official Sites:

Official site

Language:

English

Release Date:

11 June 2004 (Spain) See more »

Also Known As:

I trilogia tou Tulse Luper - Meros 2o See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color
See full technical specs »
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Did You Know?

Trivia

'Cissie Colpitts' is the name shared by the three main female characters in Drowning by Numbers (1988), also directed by Peter Greenaway See more »

Connections

References The Passion of Joan of Arc (1928) See more »

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User Reviews

 
Interesting Way of Proposing Cinema
7 November 2013 | by Odrek GonneSee all my reviews

Peter Greenaway sustains the same way of montage of the Tulse Luper Part 01, but now the screenplay became more dynamic. It appears that he got a better rhythm in his editing, because I watched the movie and it came to the end as fast as the thoughts that he intercalated in this second part. The subjective text in the screen are now more rich of details and connections, and looks like that have been applied more effort to get a better external photography than in the first movie. Well, people say that Peter Greenaway does some semi-intellectual shitty movies, but it's obviously not true. Anyone who truly enjoys watching Cinema as a piece of art that can be bend and smashed and broke into new ways of perception knows that every new movie of Greenaway is a enjoyable surprise.


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