In this crime-action tour de force, the South Boston state police force is waging war on Irish-American organized crime. Young undercover cop Billy Costigan is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello. While Billy quickly gains Costello's confidence, Colin Sullivan, a hardened young criminal who has infiltrated the state police as an informer for the syndicate is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by their double lives, gathering information about the plans and counter-plans of the operations they have penetrated. But when it becomes clear to both the mob and the police that there is a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy - and each must race to uncover the identity of the other man in time to save themselves. But is either willing to turn on their friends and comrades they've made during their long stints undercover?Written by
If you listen closely in some scenes you can hear the music used later in Rizzoli & Isles (2010) in the background. See more »
While Sullivan is rain drenched in military school, when he says "Sir! Yes sir!" his hair style changes in a nano second. See more »
[pointing his gun at Colin]
Put down the gun and step away from Sergeant Sullivan!
[pointing his gun upwards]
Look, I called you. You specifically. You know who I am. I'm not gonna shoot. I told you to meet me downstairs.
PUT THE WEAPON ON THE DECK AND STEP AWAY FROM SERGEANT SULLIVAN!
Shoot the fuckin' prick already!
Where's Dignam? I told you to bring Dignam!
Shoot the motherfucker!
Put the weapon on the ground and we'll discuss it.
SHOOT THE MOTHERFUCKER!
Look, I got boxes of tapes, evidence, ...
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The title doesn't appear on screen until nearly 20 minutes into the movie. See more »
In India, the film was given an A (adults only) certificate after the visual of Frank Costello holding a dildo was deleted. This change is visible in the Hindi dubbed VCD which shows a slight frame jump. See more »
Now I know that 'The Departed' is based off of the Hong Kong movie 'WuJianDao', but Scorsese really grabs hold of a great story and brings it to the American Screen. My father grew up in Boston and when we walked out of the theater he couldn't stop talking about how authentic the environment and attitude was. Then there's the acting in which the lead actors (Nicholson, DiCaprio, Damon) not only give stunningly entertaining performances, but you become engulfed in each one's perspective and dilemmas. The smaller roles that of (Baldwin, Walberg, Sheen) are supporting roles that remind me of Jesus Quintana from 'The Big Lebowski', by this I mean that their screen time is limited but they make lasting impressions that you cherish each and every scene they are in, Alec Baldwin especially. The story itself starts off with the basic intro of the players and the setting, but you'll find yourself slowing following each and every plot twist and rooting back and forth for the good guys and for the bad guys. If you're a Scorsese fan, which I am, I think you will appreciate this film. You can clearly see the Scorsese touch ranging from the cinematography and of course the music, it's great to hear "Gimme Shelter" again, but "Comfortably Numb" played in so well. It's another gangster flick from Scorsese, yet this one stands alone because feels so fresh and most would agree Scorsese does gangster films the best; so why not let him. Oscar worthy, the acting I certainly hope; this is DiCaprio's best role since 'The Aviator' which was his best role since 'Gangs of New York', am I seeing a pattern here. But my lasting impression wasn't concerned with the politics of the golden statue; my lasting impression was that I had sat through 2 and half hours of brilliant and especially entertaining storytelling. Thank you Mr. Scorsese.
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