A reckless youth is destined to become the greatest sorcerer that the mystical land of Earthsea has ever known. When the young wizard Ged discovers that he possesses infinite magical powers...
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The great sorcerer Merlin has returned to Camelot, a kingdom now vulnerable to ill fates and war since the theft of the Holy Grail, its greatest gift and protection. With the help of Jack, ... See full summary »
A reckless youth is destined to become the greatest sorcerer that the mystical land of Earthsea has ever known. When the young wizard Ged discovers that he possesses infinite magical powers, he seeks to master the ancient arts. As he journeys to manhood, he will combat dragons, fall in love, cross death's threshold, and ultimately wield the power to reunite a kingdom.Written by
Ursula K. Le Guin, author of the novels on which the production is based, was critical of the adaptation. Among her complaints was the "whitewashing" of her characters' races (in the novels, few of Le Guin's characters are white). Le Guin also resented a statement published by director Robert Lieberman intoning that she approved of his take on her story. See more »
Shortly after Ged and Oigon turn their backs to the goat, the crystal from Oigon's staff falls to the ground. After the cut, the crystal is back. See more »
Two-thirds through last night's show--the first half of EARTHSEA--I muttered to my wife, "This is so bad." She said, "So tomorrow you'll be at the computer typing up your gripes to someone." I looked at her indignantly and said something like, "Ah, why waste my time?" Of course, she was right, so here I am. An Earthsea adaptation is long overdue; I'm just so sad that it was done so shabbily, with such an eye (apparently) toward anticipating what the unimaginative masses would like to see, as opposed to the rich, subtle, mystical world that Ursula Le Guin so beautifully created in her great Earthsea novels. I don't have the heart (or time) to break the mini-series down, bit by bit, to show what's wrong with it. Let's just say that the screenwriters, producers, and director insisted on reshaping a great work of popular art into a cookie cutter shape, substituting clichés for subtleties and an "epic" (read Lord of the Rings) war story for what should have been a personal struggle with good/evil. Worst, I suspect that in Part II, tonight, we're all gonna see Ged, whose little cheek scar only adds to his overall "hotness," smooching a princess (the SMALLVILLE babe). This thing is almost as bland as last month's elections. Mr and Ms. Producers, either do Le Guin justice and tell the story right or don't bother!
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