Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City, to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
Ray Ferrier (Cruise) is a divorced dockworker and less-than-perfect father. When his ex-wife and her new husband drop off his teenage son Robbie and young daughter Rachel for a rare weekend visit, a strange and powerful lightning storm suddenly touches down. What follows is the extraordinary battle for the future of humankind through the eyes of one American family fighting to survive it in this contemporary retelling of H.G. Wells seminal classic sci-fi thriller.Written by
The words "alien" and "Martian" are never spoken in the movie. While it was plausible in 1898 to believe that sentient beings could live on Mars, this had been debunked by the late twentieth century. So for verisimilitude, the aliens' origin point is left undefined. See more »
When the first tripod comes out of the street, two workmen are on a scaffold. Two shots over their left shoulders show the scaffold swaying; the long shot in between shows the scaffold static and the workmen move backwards in the first shot, but are in the front in the long shot. See more »
No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet across the gulf of space, intellects vast ...
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There are no opening credits after the title is shown. See more »
If you're going to rate a film on pure spectacle, this one would easily get a 10 - it's utterly astounding.
The acting is uniformly good, and the idea of showing the film purely from the perspective of Cruise's character - so the audience knows nothing that he doesn't know - works extremely well.
But there's no plot, no underlying logic behind *anything* that happens, be it human or alien-initiated - every single plot decision seems to have been taken from the perspective of 'wouldn't it be cool if...' or 'Let's shock people with the nastier sides of human nature now' or 'Now we must give our hero a tough decision'... this was plotting-by-numbers at its most obvious (and painful)
With a decent script, this should have been one of the best Scifi movies ever made. Alas, the only good parts are the eye candy.
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