An updated version of H.G Wells' seminal sci-fi classic about an alien invasion threatening the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.
An ordinary man has to protect his children against alien invaders in this science fiction action film freely adapted from the classic story by H.G. Wells. Ray Ferrier (Tom Cruise) is a dockworker living in New Jersey, divorced from his first wife Mary Ann (Miranda Otto) and estranged from his two children Rachel and Robbie (Dakota Fanning and Justin Chatwin), of whom he has custody on weekends. On one such visitation, looking after the kids becomes a little more difficult when, after a series of strange lighting storms hit his neighborhood, Ray discovers that a fleet of death-ray robotic spaceships have emerged nearby, part of the first wave of an all-out alien invasion of the Earth. Transporting his children from New York to Boston in an attempt to find safety at Mary Ann's parents' house, Ray must learn to become the protector and provider he never was in marriage.
Wardrobe staff obtained hundreds of slightly-used military uniforms which had old regimental patches on the sleeves from their various original units. Meticulously, Wardrobe removed the patches and replaced them with patches from the 29th Division - the "Blue and Gray" division whose emblem is a circular "yin-yang". Wardrobe also sewed a new US flag patch onto each uniform - and then prior to filming applied roll-on "stage dirt" to each flag so that it would not look too bright. Soldiers with patches other than the 29th Division are likely real NG troops wearing their own issue uniforms (and whose patches are from their own local units). See more »
While tossing a baseball with his son, Ray calls him a "dick." If you look at his hand at that point, one can notice that his hand is closed in a fist, and he is not holding the baseball he is prepared to throw. See more »
No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet across the gulf of space, intellects vast ...
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There are no opening credits after the title is shown. See more »
For the U.S. theatrical release, the Paramount logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Paramount Pictures and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the Paramount logo, and the back of the box's cover art says, "Dreamworks Pictures and Paramount Pictures present." In the European version, the original order of the logos and studio names is preserved (and the DVD is released by Paramount). See more »
by Christopher Shawn King
Performed by Kriz Kang
Courtesy of Luke Eddins at Luke Hits See more »
The first half hour it leaves hour breathless. The characters don't know what hit them, but we do. We know all about it, a world of the worlds is about to take place, with nasty creatures from outer space. This elementary rule, we, the audience are a few steps ahead of the characters on the screen. It makes our anticipation of their realization an spectacular thrill. Then, of course, it's all downhill from there. Well, not all. Tom Cruise is in it. I have to hand it to him. Looking at his name in the poster, lots of useless but unavoidable information came to mind. Katie Holmes and Brooke Shields and L Ron Hubbard, Oprah, Matt. The lot. And I'm one who doesn't watch much television, imagine someone who does! In any case, much to Tom Cruise credit, I completely forgot all that nonsense as the movie started and I was able to concentrate on the nonsense at hand. He is really good. I took him seriously. I felt for him. He's playing a loser with an empty refrigerator and I believe it. Totally. The problems in the movie are of a different kind. The same way that you can't mix Kubrick and Spielberg and A.I was a blatant example of that. In War of the Worlds we discover H G Wells and Spielberg don't go together either. Wells, H. G as well as Orson Welles played with our inner fears without computer generated images. I imagine that playing with the intellect would have been too frightening to Spielberg, Paramount, Amblin and Dreamworks. So I guess that part of the master plan was to give us something of what, they imagine, audiences the world over expects of them. But, it doesn't work like that. It should be the intellectual wallop of H G Wells or the sentimental pyrotechnics of Steven Spielberg. Together, they do not go. Okay, I've unburden myself of my thoughts, now, I recommend you to see it and make up your own mind. Within the sad desolation of the film going summer of 2005, there is enough solace within the horrors of War of the Worlds to make you feel you haven't wasted your afternoon.
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