Three young adults in Most sort out feelings and responsibilities: Monika's boyfriend has left for the States, her mother wants her to join him there, and if the invitation does come, what ...
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Three young adults in Most sort out feelings and responsibilities: Monika's boyfriend has left for the States, her mother wants her to join him there, and if the invitation does come, what should she do? Toník is a nice guy, his love for Moni is unrequited. He's trying to rebuild his family's crumbling house; a nearby factory has made an offer to buy the land. With Moni, he watches out for the two young sons of Dasha, their friend who's in a hopeless long-term affair with a married man: Dasha is at once unstable, unrealistic, neglectful of her boys, and cruel to those who help. For whom is this something like happiness?Written by
This is worth seeing. The most talented Czech director.
There are quite different opinions on Bohdan Slama, a young Czech director. I give my own here. I believe him to be the greatest talent of the current Czech cinematography. He worked on his second movie "Stesti" really hard and for a long time, which eventually led to a surprisingly good result and high expectations of his upcoming work. He is marvelous (and precise!) in directing the actors, he gives them life and credibility. The movie is very dense and every moment is functional so it requires you to watch carefully! Most people say it is a sad or even a drastic movie and take the name Stesti rather as irony of the author. "Stesti" is ambiguous between happiness and luck. The German Glück is exactly the same. (How silly that they try to find different names for it in English and German! Something like happiness is a REALLY bad translation.) Seeing the movie only from its sad side is seeing the surface. Somewhere deeper, in the minds of the two main characters - Tonik and Monika, who eventually fall in love, there is a real happiness, one which most of us hasn't had the opportunity to experience. The happiness stems from the very fact that they live a life which is not simple but very meaningful. The sad and drastic background stands in direct contrast to the inner happiness of the characters. This is most apparent at the very end, where Monika, after leaving her boyfriend in the United States (most obviously standing for empty meaningless material dreams, not at all for a better life) comes back to Tonik's house (the symbol of all his humble material efforts but also and mainly his home), which is under destruction. Monika leaves the place with a light smile (how can people not see that!) and goes looking for Tonik, the source of her happiness, the one who gives her life meaning, no matter where he is, whether he has a house, or fixes broken windows with a piece of scotch-tape. The message of the movie is totally universal and labeling it as a social drama stemming from the unsatisfactory situation of an industrial and poor region of the Czech Republic is a misinterpretation, or at least a demotion.
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