All the King's Men

I saw this film at the New Orleans premiere and found it to be an interesting spectacle that I largely enjoyed watching. I'm writing to let the public know that the numbers look strange at this point (September 17, 2006). Why? Nearly 20% of the votes have been in the 1-3 range (which would rate this film to be in the ranks of the worst low budget films ever made). One voter has commented that he did not see the film, but hates Sean Penn's politics so he won't see it and will give the film a 1 just to spite Penn. At the same time, nearly half of the votes give the film a perfect 10. I don't think that the polarized ratings to date reflect careful attempts to rate the film. Perhaps that's often the case with IMDb. I suggest taking them with a grain of salt for the time being and deciding for yourself if you are interested in the film.

In the 50's, in Louisiana, the smart populist, manipulative and wolf hick Willie Stark (Sean Penn) is elected governor with the support of the lower social classes. He joins a team composed of his bodyguard and friend Sugar Boy (Jackie Earle Haley); the journalist from an aristocratic family Jack Burden (Jude Law); the lobbyist Tiny Duffy (James Gandolfini); and his mistress Sadie Burke (Patricia Clarkson), to face the opposition of the upper classes. When the influent Judge Irwin (Anthony Hopkins) supports a group of politicians in their request of impeachment, Stark assigns Jack to find some dirtiness along the life of Irwin, leading to a tragedy in the end.

In spite of having a constellation in the cast, "All the King's Man" is a low paced and boring soap opera. The dramatic and tragic story has some good moments, when the Machiavellian Willie Stark uses his political skills to develop strategies and revert situations, but the lead character of Jude Law is annoying. His romance with Anne Stanton, performed by Kate Winslet, is simply awful and unreasonable, and I do not know why the relationship of Jack with Judge Irwin is only disclosed by Mrs. Burden after his death. The cinematography and art decoration are very beautiful, but I did not like the story. My vote is six.

Title (Brazil): "A Grande Ilusão" ("The Great Illusion")

As a straight drama the movie tends to drag at times but considered as a thinly veiled account of the rise and fall of Louisianna governor Huey Long it becomes a riveting period piece. To see the similarities in the fictional and actual stories please check Wikipedia under "Huey Long", part of which states the following...

One of (Huey Long's) famous speeches was, "Your will is my strength and your need is my justice. They want to ruin me so they can ruin you, and I won't let them!" This quote was used verbatim in the movie.

Sean Penn dominates every scene in which he appears - a fantastic performance.

Zaillian's 'All The King's Men' is a well shot film. I liked how he created the feel of the 50's Lousiana with dark washed-out colours, the costumes, cars, money, interior architecture and the simplistic settings. Some of the visuals are very impressive as they brilliantly highlight the darkness of that era. However, the script seems a little contrived. In spite of having a wonderful stellar cast that includes talents like Sean Penn, Jude Law, Mark Ruffalo, James Gandolfini, Kathy Baker, Mark Ruffalo, Patricia Clarkson, Anthony Hopkins and Kate Winslet (could anyone ask for a better cast?), none of the characters, (with the exception of Penn's Willie Stark and Law's Jack Burden) are fleshed out enough and none of them, with the exception of Ruffalo's Adam Stanton, are particularly likable. Not every actor masters the Southern diction but I'm glad that they spoke with an accent their more comfortable with than a forced Southern-I'm-chewing-glue-while-talking accent. Yet at the same time it was too obvious especially when Anthony Hopkins spoke with a British accent. All the actors do a fairly good job. The dialogues are a stand-out. I particularly liked how the characters played around with words, mostly the double-entendre. At some points the film moves at an extremely slow pace. We don't see much of the poverty, which Willie Stark claimed to demolish. We do see him build hospitals but a glimpse of the hardship of the poor people would have given us a better understanding of the depth of their difficulties. Instead all we see of them is when they're cheering Stark. In addition to that, the ending is very predictable. In a nutshell, 'All the King's Men' is an interesting but contrived film that could have been a lot better had the aforementioned flaws, especially the sketchy characters, been taken into account for reconsideration.

The critics slammed this movie and I loved it. Shame on the critics.

I love movies that transport me to an exotic place and a distant time. "All the King's Men" lushly recreates mid-century Louisiana. There's a lot of money up on the screen, beautifully lit and photographed: vintage, boat-like automobiles, forties and fifties fashions and fabrics, Spanish moss, ante-bellum mansions, a bronze bas relief map of Louisiana, set in a floor, that is put to amazing use.

There's a scene where a young woman returns from an illicit tryst in dim light. Her hair ripples to her shoulders in honey blonde waves. Her plump lips are painted, matte, in the color of dried blood. Her jilted lover, his fedora slung low on his forehead, stands in silhouette, watching her every move. Neither speaks.

In another scene, a backlit woman enters a bar and places her white cotton gloves over her hand.

Just, lovely scenes that capture another era.

I'm a political junkie, so I went to see this movie in spite of the bad reviews. It didn't let me down. It's a political soap opera from the first frame to the last.

Deals cut in smoke filled rooms, double crosses, fiery speeches to enthralled crowds. I ate it up.

The stars! Sean Penn, Jude Law, Kate Winslet, Kathy Baker, James Gandolfini...Jackie Earle Haley, someone I'd never heard of before, was memorable as a gun toting body guard.

Sean Penn's performance has been panned - too much arm waving. I loved the arm waving. Penn's arm waving doesn't come across as forced or inorganic. This is a man who can barely contain himself -- he's a human tornado. The historical figure with whom Penn's character, Willy Stark, is associated, Huey Long, was a powerhouse builder of bridges, hospitals, and roads. Penn conveys that kinetic energy and passion.

And the script! Thank God someone was willing to write a script in which people take some risks with language, communicate complex ideas, employ figures of speech! Heavens! In a movie in which nothing explodes and no cartoon superhero saves the world! I loved having to listen to what people were saying to know what was going on. I loved the flowery language. This is the South, after all, from several decades ago, and, yeah, those folks did love their language skills.

Another reviewer denounced the film's score as bombastic. It is bombastic, wonderfully so. It suits the subject matter perfectly. This isn't a movie about a shrinking violet who sits at home and writes poetry; it's a movie about a sweaty man who takes power and makes his mark.

Okay, so why didn't I give the movie ten stars? Sean Penn's character is fully realized, but the other characters are not. "All the King's Men" is a big, fat soap opera. There's a lot of sex, threats, lust, longing, suicide, and betrayal to fit into two hours. The film should have been longer so that characters other than Willy could have been fleshed out.

Patricia Clarkson is a case in point. Her character sets some key events in motion, but she's barely there -- either the character or the actress.

Anthony Hopkins comes across as just that -- Anthony Hopkins -- not the character he is playing. While everyone else does their best to produce a Southern accent, Hopkins insists on speaking with a British accent, and this sticks out like a sore thumb.

Kate Winslet and Mark Ruffalo are meant to be, like Blanche Dubois, representatives of degenerate Southern aristocracy, but they both seem entirely too robust to be degenerating.

Jude Law is better in a similar role as a member of the fading aristocratic class. Law always seems to do well in roles where he is punished by, rather than enjoys, his beauty. Just so here. Too bad that, in key scenes, Hopkins doesn't create any chemistry with him.

The lack of development of secondary characters -- and everyone, compared to Willie Stark, is secondary here -- made the film oddly emotionally unmoving to me. Again, there are scenes that contain the kind of elements that might have packed an emotional wallop that left me dry eyed.

Willy Stark's rise to power is built on the poverty of the citizens of Louisiana. The movie didn't convey that poverty to me. According to one website devoted to Huey Long, Lousiana had three hundred miles of paved road, two bridges, and high illiteracy rates when Long took office. If true, those stats are startling.

Finally, something else was missing, for me. Whenever one observes a charismatic politician, there is always the question: Does he really care about the people? Or is he just addicted to the adulation? I never had that question about Sean Penn's Willy Stark, as I do about, say, Bill Clinton. Willy Stark, here, is imperfect, but sincere. He wants to help his people.