John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
6 Los Angeles celebrities are stuck in James Franco's house after a series of devastating events just destroyed the city. Inside, the group not only will have to face with the apocalypse, but with themselves.
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Andy at the age of 40 still hasn't had sex. He lets his secret slip at a poker game with his buds from work. After the revealing all his friends are on a mission to help get him laid. Along the way Andy meets a nice mom, Trish, and they fall head over heels for each other.Written by
Elizabeth Banks, who plays Beth, was commuting back and forth between Los Angeles and Vancouver, since at the time she was shooting this movie, she was also in Canada working on Slither (2006). See more »
When Nicky is side-swiping parked cars in her PT Cruiser, Andy's face inside the car shows trepidation as he screams. However, when the shot switches to outside the car, showing it swerving and hitting things, the stunt double's face is expressionless, almost bored. See more »
Hey Andy! What's up, dude?
Hey Joe. Hey Sara. How you doing?
When you gonna get a car?
See more »
"Michael McDonald -- you rock!" At the end of the thanks and acknowledgments. Michael McDonald is the singer whose video appears endlessly in the background at the Smart Tech store and threatens the sanity of its employees. See more »
An unrated version of the film was released on DVD featuring additional and extended scenes. They include:
A heated argument between Jay and Mooj over a "poached" customer
An extended version of the poker game
An extended version of David's chat with Andy
An extended version of the scene where the guys take Andy to a bar
Andy sees sexy photos of women on magazine covers at a newsstand
A flashback featuring young Andy's struggle to remove a girl's bra
An extended version of the scene where Andy picks up Nicky
Andy imagines the star of the porno tape talking to him with his own clumsy sex talk
Paula tells Cal that she'd be willing to have sex with Andy
Additional footage shot for the speed dating scene
An extended version of the "You know how I know you're gay?" exchange between David and Cal.
Andy calls the customer service line for Viagra and the operator describes various ways to lose an erection
An extended version of the argument between Jay and a customer in which Andy gets involved
David sells a television set to a customer who enjoys the Michael McDonald DVD
Written by Pharrell Williams (as Pharrell L. Williams), Chad Hugo, Juan Cordova, Foxy Brown (as Inga Marchand)
Performed by Foxy Brown featuring Kelis
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Kelis appears courtesy of Virgin Records
Under license from EMI Film & Television Music See more »
a healthy reminder that sex jokes can be well crafted; Carrell is genius
Something about the 40 Year Old Virgin and the other comedy hit of the summer, Wedding Crashers, is similar, but they are two different films in some respects. Both are romantic comedies that have that kind of over-the-top, crazy sensibility that keeps the teens and guys in their 20's along with the usual dating crowd to go see the films. Both have some sort of formula to the stories as well. But by the end of the 40 Year Old Virgin, I think I found overall it was more satisfying than 'Crashers'. Although one can guess where the relationship story with Steve Carrell's character Andy and Catherine Keener's character Trish will go to, it isn't too basic for one to figure out like with Crashers, and the characters both leading and supporting are realistic, more rounded than most of the one-dimensional or unexplained people in the other. And, perhaps, it may also depend on how much you identify (or just find the lunacy) in both.
The thing is some people may go into The 40 Year Old Virgin not knowing Steve Carrell as well as Owen Wilson or Vince Vaughn, as Carrell has built up his cult status on The Daily Show (one of my favorite shows on now) and in small but unforgettably riotous roles in Anchorman and Bruce Almighty. This is his first starring role, but it's not treated like some third rate vehicle. He and co-writer/director Judd Apatow treat the character of Andy with a certain level of sincerity that keeps the audience on his side all the way, even early on as he talks to his action figures while re-painting them. It's also a tricky line to walk on- in lessor hands this could be no more or less entertaining than the Lackluster 40 Days and 40 Nights with Josh Hartnett (also about sexual dysfunction). As the title suggests, Andy is the 40 year old who is like the nice guy friend with still a little Pee-Wee Herman in him (the opening over the credits of his his apartment is hilarious, a good sign).
So, his friends (among them Paul Rudd, Romany Mancoy, Seth Rogen, all very good comic foils) try and devise different strategies and tips to finally break the sort of curse over Andy's head to pop his cherry, so to speak. He almost gets with a overly drunk woman, he almost gets with a freaky kind of girl, and almost with his own boss (Jane Lynch, also very funny in the mockumentaries) as a (explitive) buddy. But this soon all starts to fade as he gets into a meaningful relationship with Trish, who works across the street from him. As they build on a relationship not based at all on sex, one might worry that the plot gear of "how is he going to tell her such and such" might get in the way of the comedy. It doesn't. In fact, if anything, Carrell and the cast build on it to a very high degree. For practically an hour and a half of the film's two hour length, there was barely a moment I wasn't laughing, whether big or small.
The big laughs though make up for not just any kind of formalities with the plot, or one or two little stray stories (the fellow co-workers have their own relationship problems as well, Rudd's being the funniest). The big laughs come through because of Carrell's reactions, and that the people around him can either back up with their own sort of humor/charm, or that its with some truth. Keener gives a very good performance and makes it so that there is a genuine spirit to their relationship (and, un-like 'Crashers', there isn't as much that doesn't make sense character wise). For someone like me who loves it when a comedian can get laughs just from the way he looks on his face, Carrell gets very high points here. And like with a Farrelly brothers movie, the more raunchy or outrageous scenes are done with total absurdity; the 'waxing' scene (which was done for real, by the way) and the sort of Aquarius musical number towards the very end of the film (the way it comes out at first is a total, uproarious surprise). But if you're willing not to get offended by it, there's more where that came from. This is one of the funniest films of the year.
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