A determined woman works with a hardened boxing trainer to become a professional.A determined woman works with a hardened boxing trainer to become a professional.A determined woman works with a hardened boxing trainer to become a professional.
- Director
- Writers
- Paul Haggis(screenplay)
- F.X. Toole(stories from Rope Burns)
- Stars
Top credits
- Director
- Writers
- Paul Haggis(screenplay)
- F.X. Toole(stories from Rope Burns)
- Stars
- Won 4 Oscars
- 67 wins & 86 nominations total
Videos4
Brían F. O'Byrne
- Father Horvakas Father Horvak
- (as Brían O'Byrne)
Joe D'Angerio
- Cut Manas Cut Man
- (as Joe d'Angerio)
- Director
- Writers
- Paul Haggis(screenplay)
- F.X. Toole(stories from Rope Burns)
- All cast & crew
- See more cast details at IMDbPro
Storyline
Did you know
- TriviaBoxing and kickboxing champion Lucia Rijker, who also played the part of Billie "The Blue Bear" in this movie, was Hilary Swank's boxing coach.
- GoofsThe back of Maggie's robe has the phrase "Mo Cuishle". However the correct spelling in Irish Gaeilge is "Mo Chuisle".
- Quotes
Frankie Dunn: It wasn't fault. I was wrong to say that.
Eddie Scrap-Iron Dupris: You damn right. I found you a fighter. You made her the best fighter she could be.
Frankie Dunn: I killed her.
Eddie Scrap-Iron Dupris: Don't say that. Maggie walked through that door with nothing buts guts. No chance in the world of being what she needed to be. It was because of you that she was fighting the championship of the world. You did that. People die everyday, Frankie - mopping floors, washing dishes and you know what their last thought is? I never got my shot. Because of you Maggie got her shot. If she dies today you know what her last thought would be? I think I did all right.
- Crazy creditsThere are no opening credits after the title is shown.
- ConnectionsFeatured in The 62nd Annual Golden Globe Awards 2005 (2005)
- SoundtracksBlue Morgan
Composed by Clint Eastwood
Top review
Swank! Eastwood! Freeman!
It would be difficult to imagine a more perfect trio of performers the likes of Hilary Swank, Clint Eastwood, and Morgan Freeman in their respective roles in the emotionally-charged "Million Dollar Baby."
My favorite scenes were the early sequences in which Maggie (Swank) visits the dowdy boxing gym and co-opts Eastwood's crusty boxing trainer Frankie into becoming her mentor. Along with the veteran, retired boxer Eddie, played by Freeman, the performances were as electric as the Ali shuffle.
In the overall arc of the story of "Million Dollar Baby," there were three extraneous subplots: (1) Frankie's visits to church and his talks with the priest; (2) the story of the mentally-challenged young man named Danger, who appears in the gym and is taunted by the boxers; and (3) Maggie's family members introduced in two scenes filled with such vulgarity that much of the film's hard-earned credibility was lost. Not only would the film have worked effectively without the subplots, it would have been a much better film without them.
While Eastwood's direction was superb, much credit should also go to the designers, especially the stylish work with lighting. I cannot recall a film as dimly lit as this one, and the subdued lighting contributed substantially to the characters and mood evoked in this sensitive film. The three main performances were standouts. But this film was also a very successful team effort.
My favorite scenes were the early sequences in which Maggie (Swank) visits the dowdy boxing gym and co-opts Eastwood's crusty boxing trainer Frankie into becoming her mentor. Along with the veteran, retired boxer Eddie, played by Freeman, the performances were as electric as the Ali shuffle.
In the overall arc of the story of "Million Dollar Baby," there were three extraneous subplots: (1) Frankie's visits to church and his talks with the priest; (2) the story of the mentally-challenged young man named Danger, who appears in the gym and is taunted by the boxers; and (3) Maggie's family members introduced in two scenes filled with such vulgarity that much of the film's hard-earned credibility was lost. Not only would the film have worked effectively without the subplots, it would have been a much better film without them.
While Eastwood's direction was superb, much credit should also go to the designers, especially the stylish work with lighting. I cannot recall a film as dimly lit as this one, and the subdued lighting contributed substantially to the characters and mood evoked in this sensitive film. The three main performances were standouts. But this film was also a very successful team effort.
helpful•11561
- lavatch
- Jan 8, 2006
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Rope Burns
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $100,492,203
- Opening weekend US & Canada
- $179,953
- Dec 19, 2004
- Gross worldwide
- $216,763,646
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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