Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Wanting to learn from the best, aspiring boxer Maggie Fitzgerald wants Frankie Dunn to train her. At the outset he flatly refuses saying he has no interest in training a girl. Frankie leads a lonely existence, alienated from his only daughter and having few friends. Maggie's rough around the edges but shows a lot of grit in the ring and he eventually relents. Maggie not only proves to be the boxer he always dreamed of having under his wing but a friend who fills the great void he's had in his life. Maggie's career skyrockets but an accident in the ring leads her to ask Frankie for one last favor.Written by
One of two Best Director and Best Picture Oscar winners featuring Clint Eastwood as actor/director and Morgan Freeman co-starring. Eastwood and Freeman worked together in Unforgiven (1992). See more »
When Frankie & Maggie leave Maggie's hometown of Theodosia, MO, they pass a road sign with "160" inside a Missouri outline, the correct sign for Missouri State Highway 160. However, the main highway through real-life Theodosia (in far southern Missouri, just north of the Arkansas border and east of Branson) is U.S. Highway 160. See more »
Eddie Scrap-Iron Dupris:
Only ever met one man I wouldn't wanna fight. When I met him he was already the best cut man in the business. Started training and managing in the sixties, but never lost his gift.
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The Warner Brothers logo is the classic shield version, shown in a color palette (mainly black and white, with a dark green tint) matching the "feel" of the movie, and is static instead of the modern 3D animated sequence. See more »
Saw this last night in LA without much knowing what to expect. Hadn't read many reviews...only knew I liked the work of the three main stars. Swank carries the film and is at her absolute best. The last 45 minutes are some of the most powerful film-making I can remember. Eastwood is also in top form but allows Swank's performance to trump his own. Freeman is outstanding and might have done enough to earn a Best Supporting Actor nomination. This is so much more than a boxing movie, but it's right there with "Raging Bull" and "Rocky". I saw "The Aviator" two days ago and enjoyed "MDB" more.
However, the film is not without fault...Eastwood has a tendency to allow scenes to go on too long and to fill them with too much dead air. The dialogue at times appears a little too ad-libbed. There are some minor logical inconsistencies. But the positives far outweigh the negatives.
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