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Ffa at 50: Fund Revitalized German Films After Post-War Slump

Launched in 1968, when the country’s film industry was in steep decline, the German Federal Film Board was instrumental in revitalizing the sector both financially and creatively.

Despite some major box office successes in the 1950s, the local film business was facing a number of critical problems, including difficulties stemming from postwar restrictions imposed on the country’s industries by the Allied victors, a general lack of capital, the growing dominance of Hollywood productions and the soaring popularity of television. Between 1956 and 1962, a slew of production companies and distributors folded as box office admissions plunged from 817 million to 443 million.

The industry’s decline led 26 young German filmmakers in 1962 to sign the Oberhausen Manifesto, calling for a new, more independent kind of film, free from conventions and the control of commercial backers. The declaration was the birth of New German Cinema and paved the way for the Film Promotion Act, which
See full article at Variety - Film News »

'The Name Of The Rose' with John Turturro, Rupert Everett scores global sales

'The Name Of The Rose' with John Turturro, Rupert Everett scores global sales
The adaptation of Umberto Eco’s book has distribution in German-speaking Europe amongst others.

Tele München Group (Tmg) has announced a range of sales on its series The Name Of The Rose, the adaptation of Umberto Eco’s novel about monks investigating a slew of murders.

Deals include German-speaking Europe (Sky), France (Orange), Finland (Yle), Norway (Nrk) and Denmark (DRtv).

Produced by 11 Marzo Film, Palomar and Tele München Group in association with Rai Fiction, the series has a 19-week shoot currently underway in Italy and is set for a world premiere in spring 2019. Tmg’S world sales unit Tm International is handling worldwide distribution.
See full article at ScreenDaily »

Miptv: 'The Name Of The Rose' with John Turturro, Rupert Everett scores global sales

Miptv: 'The Name Of The Rose' with John Turturro, Rupert Everett scores global sales
The adaptation of Umberto Eco’s book has distribution in German-speaking Europe amongst others.

Tele München Group (Tmg) has announced a range of sales on its series The Name Of The Rose, the adaptation of Umberto Eco’s novel about monks investigating a slew of murders.

Deals include German-speaking Europe (Sky), France (Orange), Finland (Yle), Norway (Nrk) and Denmark (DRtv).

Produced by 11 Marzo Film, Palomar and Tele München Group in association with Rai Fiction, the series has a 19-week shoot currently underway in Italy and is set for a world premiere in spring 2019. Tmg’S world sales unit Tm International is handling worldwide distribution.
See full article at ScreenDaily »

Berlin Profiles: Lars Kraume, Director of ‘The Silent Revolution’

Berlin Profiles: Lars Kraume, Director of ‘The Silent Revolution’
Lars Kraume revisits postwar German history in “The Silent Revolution,” a story of idealistic young pupils in East Germany who, in 1956, unite in solidarity to honor the victims of the Hungarian uprising against the country’s communist regime and Soviet military.

Based on real events, the story is set around the same time as Kraume’s last theatrical feature, “The People vs. Fritz Bauer,” about the West German prosecutor who was instrumental in the capture of Nazi war criminal Adolf Eichmann — a film that went on to sweep the German Film Awards in 2016.

The Silent Revolution,” which screens in Berlinale Special Gala, similarly focuses on protagonists with unwavering moral convictions and the courage to take a stand.

Described as “Dead Poets Society” meets “The Lives of Others,” the film is based on Dietrich Garstka’s novel of the same name in which the author recounts his own experiences and those of his 18 classmates.

The story of
See full article at Variety - Film News »

Guillermo del Toro (‘Shape of Water’) may finally join his ‘Amigos’ Alfonso Cuaron & Alejandro G. Inarritu as an Oscar winner

Guillermo del Toro (‘Shape of Water’) may finally join his ‘Amigos’ Alfonso Cuaron & Alejandro G. Inarritu as an Oscar winner
Will Guillermo del Toro (“The Shape of Water”) finally join his filmmaking friends Alfonso Cuaron and Alejandro Gonzalez Inarritu in the pantheon of Oscar winners this year? If our odds are to be believed, he’s a strong front-runner to snag Best Picture, Best Director, and maybe even Best Original Screenplay for his romantic fantasy about a mute janitor (Sally Hawkins) in love with a fish man. And just think, it was a little more than a decade ago, in 2007, that the Three Amigos of Cinema, as they like to be known, were competing alongside each other for their 2006 films “Babel” (Inarritu), “Children of Men” (Cuaron) and “Pan’s Labyrinth” (del Toro). Two of them were first-time Oscar nominees that year. Now, by March 4, they could all be Oscar winners.

“There was a moment [in 2006] where we all felt like a historical weight,” del Toro recalled in our recent video interview
See full article at Gold Derby »

Picture Tree reveals Efm trailers, promotes Yuanyuan Rothbauer (exclusive)

International trailers revealed for Hot Dog, Fack Ju Goethe 3, Dark Almost Night.

Source: Hot Dog

Hot Dog

German sales outfit Picture Tree International has revealed key international marketing material for titles including German box office smash Fack ju Göhte 3 (aka Suck Me Shakespeer 3), Til Schweiger action-comedy Hot Dog and Polish crime-drama Dark Almost Night.

Watch the exclusive English-language trailers for these films below.

Like its two predecessors, Fack ju Göhte 3 has proven a huge hit in Germany where it has sold six million tickets.

Hot Dog has also gone down well at home, debuting in first position at the local box office two weeks ago for Warner Bros Germany.

The company’s Efm slate will also comprise Swedish comedy Kingdom Of Sweden - Not Of This World, which is currently in post-production and could get a festival launch in summer or autumn; Austrian drama What You Win On The Swings; German comedy A Jar Full Of Life, which
See full article at ScreenDaily »

More International Cast Members Join ‘The Name of the Rose’ (Exclusive)

More International Cast Members Join ‘The Name of the Rose’ (Exclusive)
An international cast has been assembled for the upcoming series adaptation of “The Name of the Rose” as production gets underway in Italy this week.

John Turturro and Rupert Everett have already been cast for the key roles, respectively, of William of Baskerville, the 14th-century Franciscan monk who investigates a series of grisly murders, and his antagonist, Inquisitor Bernard Gui. Sebastian Koch, star of Oscar-winning German film “The Lives of Others,” has now been confirmed, as have James Cosmo (“SS-gb”) and Richard Sammel (“Inglourious Basterds”).

The cast also includes Fabrizio Bentivoglio (“Human Capital”), Greta Scarano (“Suburra”), Stefano Fresi (“I Can Quit Whenever I Want”), and Piotr Adamczyk (“Karol: A Man Who Became Pope”).

The eight-part series is adapted from Umberto Eco’s bestselling novel. Set in Italy in 1327, the story follows William of Baskerville and his apprentice, Adso of Melk, as they hunt down a serial killer in an Alpine monastery. Rising young German
See full article at Variety - TV News »

Toronto/San Sebastián: Beta Cinema Acquires ‘Soldiers. A Story From Ferentari’ (Exclusive)

Toronto/San Sebastián: Beta Cinema Acquires ‘Soldiers. A Story From Ferentari’ (Exclusive)
Munich-based Beta Cinema is partnering with Berlin Golden Bear-winning Romanian producer Ada Solomon (“Child’s Pose,” “Aferim,” ’Toni Erdmann”) on “Soldiers. A Story from Ferentari,” a contemporary gay love story set in the notorious Roma neighborhood of Ferentari, on the outskirts of Bucharest.

Beta Cinema will handle world sales rights on the film, the narrative feature debut of Serbia’s Ivana Mladenovic, whose caché has grown steadily given its backing – Solomon at Romania’s Hi Film Productions, Serbia’s Film House Bas Celik, Belgium’s Frakas Prods – and selection, announced earlier this week, for the Toronto Festival’s Discovery section.

Buzz was already been growing on the title before the announcement in early August of its main competition berth at San Sebastian Festival, with several sales agents talking up the title. It has finally been tied down by Beta Cinema, a prestige sales house whose Venice, Toronto and San Sebastian slate of selected and upcoming titles mixes
See full article at Variety - Film News »

Fatih Akin’s ‘In the Fade’ Selected as Germany’s Oscar Entry

Fatih Akin’s ‘In the Fade’ Selected as Germany’s Oscar Entry
Fatih Akin’s Cannes hit “In the Fade” has been chosen as Germany’s official candidate for the best foreign language film Oscar. The film has already garnered potential awards season buzz around the performance of lead actress Diane Kruger, who won the best actress award at the Cannes Film Festival in May, where the film world-premiered in official competition.

The selection was made from a choice of 11 films submitted to an independent nine-person jury appointed by national film-promotion body German Films. The choice was announced Thursday by jury representative Rainer Matsutani of the German Directors Guild at a press conference in Munich attended by Akin.

“In the Fade” tells the story of a woman (Kruger) whose life falls apart following the death of her husband and son in a bomb attack. When the police arrest two suspects, she wants justice and revenge.

A statement from the jury said: “‘In the Fade’ is at the same time
See full article at Variety - Film News »

Scribe review – tense but overcomplicated thriller

Its murky world of surveillance casts a pall over this French drama

Shades of The Conversation and The Lives of Others colour this French thriller from Thomas Kruithof, about a man (François Cluzet) who is offered a job transcribing surveillance recordings. The ominous chill of the sound design and decent work from an impressive cast help to create an atmosphere that sucks the very oxygen from the cinema as the tension mounts. Unfortunately, too many layers of convoluted double-crossing, and motives as murky as the grim production design, rob the film of a satisfying sign-off.

Continue reading...
See full article at The Guardian - Film News »

Movie Review – Scribe (2016)

Scribe, 2016.

Directed by Thomas Kruithof.

Starring Francois Cluzet, Denis Polyades, Sami Bouajila, Simon Abkarian and Alba Rohrwacher.

Synopsis:

A burn-out leaves Duval (Francois Cluzet) recovering from alcoholism and unemployable. Seemingly out of the blue, he receives a job offer, transcribing recorded telephone conversations. He has no choice but to take it but quickly discovers that it has wider implications that will directly affect his own life.

Thomas Kruithof has chosen some hard acts to follow for his feature debut. In Scribe, he resurrects memories of classics like The Conversation and The Lives Of Others, with their deliberately overheard conversations and built-in paranoia. He risks simply going over old ground. What he delivers is stylish, gripping and sparse.

A lean, if not minimalist, film in so many ways, Scribe confines itself to just a scant 90 minutes, but Kruithof gets a lot out of a little. As Duval, the man at the centre of it all,
See full article at Flickeringmyth »

Scribe review – paranoid thriller can't deliver on promising premise

François Cluzet is hired by a sinister security firm in Thomas Kruithof’s atmospheric debut, which takes its cue from the 70s classics

François Cluzet stars in this initially intriguing conspiracy thriller from first-time feature director Thomas Kruithof, a movie about the French far-right with the underlying paranoia of Francis Ford Coppola’s The Conversation or Von Donnersmarck’s The Lives of Others. But inexorably, and perhaps inevitably, the movie can’t build on its atmospheric setup, and the neurosis becomes a pose. Cluzet plays the conscientious Duval, a man with a drinking problem who has been out of work since a breakdown two years ago. Out of the blue, he is recruited to work for a shadowy private security firm and employed to sit in a rented room all day, transcribing audiotapes of tapped phone conversations – using an old-fashioned typewriter because computers are not secure enough. Soon Duval realises
See full article at The Guardian - Film News »

Stars of ‘Babylon Berlin,’ Netflix’s ‘Dark’ Join Effort to Highlight German Cinema (Exclusive)

Stars of ‘Babylon Berlin,’ Netflix’s ‘Dark’ Join Effort to Highlight German Cinema (Exclusive)
Six German actors have been chosen to lead the second wave of an effort to highlight German cinema around the world after a year that saw the success of such films as Oscar-nominated “Toni Erdmann” and high-end television dramas like “Deutschland 83.”

Volker Bruch (pictured, far left), star of Tom Tykwer’s eagerly anticipated TV series “Babylon Berlin” from Sky, will join up-and-coming actors Louis Hofmann and Jannis Niewoehner as well as more established stars Alexander Fehling, Ronald Zehrfeld and Tom Schilling in the “Face to Face With German Films” campaign. The initiative by national film-promotion body German Films was first launched last fall with six leading German actresses, including “Toni Erdmann” star Sandra Hueller.

The six actors are to serve as ambassadors of German cinema at festivals and events around the world, and will all attend next month’s Cannes Film Festival for the new phase’s official launch.
See full article at Variety - Film News »

‘Karl Marx City’ Review: A Woman Tries To Learn If Her Father Was An East German Informant In This Hypnotically Personal, Guy Maddin-esque Documentary

‘Karl Marx City’ Review: A Woman Tries To Learn If Her Father Was An East German Informant In This Hypnotically Personal, Guy Maddin-esque Documentary
The German Democratic Republic was the most intensely surveilled society in human history, and yet — as time marches on and the Cold War becomes nothing more than a memory, gray and alien — the fundamental irony of such a perfect spy state grows more striking by the day: By obsessively monitoring their friends and neighbors, the Gdr’s secret police were creating a perfect documentary of themselves.

For proof of that fact, look no further than Petra Epperlein and Michael Tucker’s fascinating and necessary “Karl Marx City,” a vaguely Guy Maddin-esque swan-dive into the mysteries of life behind the Berlin Wall and the traumas of surviving it. A remarkable if occasionally unfocused work of Vergangenheitsbewältigung (“the process of coming to terms with the past”), this hypnotic autobiography leverages one woman’s fear to exhume the paranoia that once defined an entire country. In its haphazard search for facts, it
See full article at Indiewire »

Patrick Dempsey to make directing debut on 'Berlin, I Love You'

  • ScreenDaily
Patrick Dempsey to make directing debut on 'Berlin, I Love You'
Exclusive: Bridget Jones’s Baby star to direct anthology film alongside Til Schweiger and previously announced Ai Weiwei.

Fresh from helping Bridget Jones to have a baby, American actor and racing driver Patrick Dempsey (Grey’s Anatomy) is attached to make his directorial debut on one of the segments for anthology film, Berlin I Love You, which is part of The Cities Of Love franchise.

Dempsey’s involvement was confirmed by the project’s producer, Claus Clausen (The Messenger), who has revealed several changes in names attached to the project, now due to shoot in the summer.

Of the original crop of directors announced in 2015, Giuseppe Tornatore, Marjane Satrapi and Jan-Ole Gerster have withdrawn due to scheduling conflicts.

However, Til Schweiger, Massy Tadjedin (director of Last Night with Keira Knightly and Eva Mendes), Dempsey, artist Ai Weiwei, Shekhar Kapur and Tom van Averamaet are on board.

Clausen said that shooting will begin in June or July and
See full article at ScreenDaily »

Netflix reveals $1.75bn European production investment

  • ScreenDaily
CEO Reed Hastings outlines streaming giant’s commitment to European content; teaser for first German original series revealed.

Netflix has spent more than a billion dollars on European film and TV productions, according to Reed Hastings, the co-founder and CEO of the streaming giant.

During a press event in Berlin, Hastings said that since 2012 Netflix has spent $1.75bn on European licensed, original and co-production film and TV projects.

This includes more than 90 original productions in various stages of development, including films, documentaries, and TV shows.

We are one of the most active supporters and financers of European content,” said Hastings.

He said that European content is being watched by 93 million subscribers around the world, adding that more than two thirds of viewing of European content comes from outside of Europe.

“We’re creating these global audiences for great local productions,” he said.

During the event, Netflix released the debut teaser for its first German original series [link=tt
See full article at ScreenDaily »

Did the 2007 Oscars get it right?

Simon Brew Feb 24, 2017

It’s Oscar weekend! But how well do the Academy Award choices of ten years ago hold up? We’ve taken a look...

The Academy Awards are the highest profile snapshot of what films are highly rated within 12 months of their release. What they can’t predict, however, is how well regarded their choices will age, and only time can tell you that. Which is why I thought it’d be interesting to go back a decade, and see how the winners of the 79th Academy Awards, handed out on February 25th 2007, stack up ten years on…

Best Picture: The Departed

Also nominated:

Babel Letters From Iwo Jima Little Miss Sunshine The Queen

At the time, there was a little bit of acceptance that The Departed was the Scent Of A Woman moment. That just as Al Pacino got rewarded for good work in a film that’s not his finest,
See full article at Den of Geek »

Oscars 2017: Which Country Nominated For Best Foreign Language Film Has the Best Track Record of Winning?

‘The Salesman’ (Courtesy: Amazon Studios and Cohen Media Group)

By: Carson Blackwelder

Managing Editor

The one chance for the entire world to get involved with the Academy Awards has always been the best foreign language film category. Since any country can submit a film each year, though, that means the competition is intense. Let’s take a look at the countries that have snagged nominations this year and see how they’ve performed in the past in the hopes of shedding some light on what might happen come February 26.

This year the five nominees for best foreign language film are Land of Mine from Denmark, A Man Called Ove from Sweden, The Salesman from Iran, Tanna from Australia, and Toni Erdmann from Germany. The Hollywood Reporter’s Scott Feinberg lists The Salesman as the frontrunner in this category — obviously due to the film’s merits and also potentially due to its director,
See full article at Scott Feinberg »

Katja Eichinger Sets Up Screenwriting Bursary at Munich Film Academy (Exclusive)

Katja Eichinger Sets Up Screenwriting Bursary at Munich Film Academy (Exclusive)
Katja Eichinger, the novelist, producer, and wife of the late German producer Bernd Eichinger, has set up a screenwriting bursary for students working on their final diploma film at the Hff film academy in Munich.

The bursary for €4,000 ($4,260) will give the selected student six months to deliver a script for a project that could be deemed to deliver “emotional and innovative cinema.” The applicants will be asked to define what cinema means to them and who their cinematic influences are.

“What I’m hoping to do is give students the possibility to find their own, unique voice whilst telling a story that connects with audiences,” Eichinger said.

She added that previous Hff students to achieve this include Frauke Finsterwalder with diploma film “Finsterworld,” as well as Florian Henckel von Donnersmarck with “The Lives of Others.” Other Hff alumni include Wim Wenders, Roland Emmerich, Maren Ade, and Caroline Link.

Eichinger praised the work of Bettina Reitz,
See full article at Variety - Film News »

Berlinale: Studiocanal Germany Sets Sebastian Schipper’s ‘Caravan,’ Lars Kraume’s ‘The Silent Revolution’ (Exclusive)

Berlinale: Studiocanal Germany Sets Sebastian Schipper’s ‘Caravan,’ Lars Kraume’s ‘The Silent Revolution’ (Exclusive)
Berlin — Launching Liam Neeson’s “Hard Powder” at Berlin’s European Film Market, Vivendi’s European film-tv group Studiocanal is set to produce, distribute and sell two new German projects: “Caravan,” Sebastian Schipper’s follow-up to “Victoria,” and “The Silent Revolution,” from Lars Kraume whose “The People vs. Fritz Bauer” was a Cohen Media Group pick-up for North America.

Produced out of Studiocanal Germany, a production-distribution company headed by CEO Kalle Friz, “Caravan” and “The Silent Revolution” form part of a 2017 six-movie slate as Studiocanal, Europe’s biggest film investor this decade, powers up production in the continent’s third biggest movie market.

Also Germany’s biggest distributor of international independent movies, playing off an output deal with Lionsgate which was extended to Summit last year, in Germany Studiocanal can look to its own international productions, such as “Paddington” and “Non-Stop,” plus Lionsgate/Summit titles, to fuel a release slate of around 20 movies per year.
See full article at Variety - Film News »
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