The Notorious Bettie Page (2005)

The life of Bettie Page, a 1950s pin-up model and one of the first sex icons in America, who became the target of a Senate investigation due to her risqué bondage photos.

Director:

Mary Harron

Writers:

Mary Harron, Guinevere Turner

Stars:

Gretchen Mol, Lili Taylor, Chris Bauer

4 nominations.

Cast

Cast overview, first billed only:
Gretchen Mol	...	Bettie Page
Chris Bauer	...	Irving Klaw
Jared Harris	...	John Willie
Sarah Paulson	...	Bunny Yeager
Cara Seymour	...	Maxie
David Strathairn	...	Estes Kefauver
Lili Taylor	...	Paula Klaw
John Cullum	...	Preacher in Nashville
Matt McGrath	...	Nervous Man
Austin Pendleton	...	Teacher
Norman Reedus	...	Billy Neal
Dallas Roberts	...	Scotty
Victor Slezak	...	Minister in Miami
Tara Subkoff	...	June
Kevin Carroll	...	Jerry Tibbs

Storyline

Portrait of an American innocent. In 1955, Bettie Page (1923-2008 ) waits to testify before a Senate subcommittee investigating the effects of pornographic material on American adolescents and juveniles. In flashbacks, we see her childhood in Tennessee, a brief marriage, a gang rape, and her going to New York City in 1949. There she takes acting lessons, models for photos, and acts in short films for adults, earning the nickname, "The Pin-Up Queen of the Universe." We see her relationship with merchants Irving and Paula Klaw, photographers John Willie and Bunny Yeager, boyfriends, and the public. Through it all, she is wholesome, sporting, and forthright - Eve before the fall.

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Plot Keywords:

bondage | 1950s | new york city | senate | investigation | 

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Taglines:

Show Some Restraint.

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Genres:

Biography | Drama

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Motion Picture Rating (MPAA)

Rated R for nudity, sexual content and some language

Details

Official Sites:

Picturehouse Films

Country:

USA

Language:

English

Release Date:

5 May 2006 (USA)

Also Known As:

The Ballad of Bettie Page

Filming Locations:

New York, USA

Box Office

Opening Weekend USA:

$143,131, 16 April 2006, Limited Release

Gross USA:

$1,410,778, 25 June 2006

Company Credits

Production Co:

HBO Films,Killer Films,John Wells Productions

Technical Specs

Runtime:

100 min

Sound Mix:

Dolby Digital

Color:

Black and White Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Guinevere Turner was originally set to star as Bettie Page. Though she did not appear in an acting capacity, she stayed as screenwriter.

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Goofs

A 1956 Pontiac convertible is seen in the pre-March 1955 beach scene where Bettie meets the young man in yellow.

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Quotes

Bettie Page: I'm not ashamed. Adam and Eve were naked in the Garden of Eden, weren't they? When they sinned, they put on clothes.

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Crazy Credits

craft service - Grover Cleveland, craft service assistant - Benjamin Harrison

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Connections

References Destry Rides Again (1939)

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Soundtracks

I Surrender, Dear
Written by Harry Barris and Gordon Clifford
Performed by Artie Shaw
Courtesy of Bluebird / Novus / RCA Victor
By Arrangement with Sony BMG Music Licensing

User Reviews

The Truth About Sex in America

Canadian filmmaker Mary Harron is a cultural gadfly whose previous films laid bare some the artistic excess of the Sixties and the hollow avaricious Eighties. With "The Notorious Bettie Page" she points her unswerving eye at Fifties America, an era cloaked in the moral righteousness of Joe McCarthy, while experiencing the beginnings of a sexual awakening that would result in the free love of the next decade. Harron and her co-writer Guinevere Turner, are clearly not interested in the standard biopic of a sex symbol. This is a film about the underground icon of an era and how her pure unashamed sexuality revealed both the predatory instincts and impure thoughts of a culture untouched by the beauty of a nude body. If the details of Bettie's life were all the film was concerned about, then why end it before her most tragic period was about to begin. Clearly, Harron is more interested in America's attitudes towards sexual imagery then and now. Together with a fearless lead performance by Gretchen Mol and the stunningly atmospheric cinematography of W.Mott Hupfel III, she accomplishes this goal admirably, holding up a mirror to the past while making the audience examine their own "enlightened" 21st Century attitudes towards so-called pornography. As America suffocates under a new conservatism, this is a film needed more than ever.