The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Massachusetts.
Bill and Ashely DiAngelo seem to have it all, an overseas posting to Singapore, life in paradise and a new baby on the way. But tragedy strikes when she loses the baby and sinks into a deep depression.
Cynthia Lee MacQuarrie,
Alluring young Scarlet Silk is a vengeful hooker gone crazy after her parents murder, and being stabbed several times. The audacious naughty teen changes her destiny near death by ... See full summary »
A strange disease is plaguing the city. Hoping to escape contamination, Eva and Sam, an estranged married couple, are forced to barricade themselves in their apartment despite the palpable ... See full summary »
In the latest chapter of the chilling horror franchise, The Invoking 5: phantoms, paranormal events are captured around the globe in what might be the largest scale haunting ever recorded in human history.
Beautiful young Hitchhikers are being slaughtered on the desert highways by a cannibalistic madman. Sally is trying to make her way back home when she's picked up by the killer - can she ... See full summary »
James L. Bills
John Blyth Barrymore,
Marshal is a medical crime thriller movie directed by Jai Raaja Singh and produced by Abhay Adaka. The movie cast includes Srikanth, Abhay, Megha Chowdhury and Rashmi are in the lead roles. Yaadagiri Varikuppala scored music.
Echoes of "Madame Bovary" in the American suburbs. Sarah's in a loveless marriage to an advertising executive, long days with her young daughter at the park and the pool, wanting more. Brad is an immature househusband, married to a flinty documentary filmmaker. Ronnie is just out of prison - two years for indecent exposure to a minor - living with his elderly mother, May; Larry is a retired cop, fixated on driving Ronnie away. Sarah and Brad connect, a respite of adult companionship at the pool. Ronnie and Larry have their demons. Brad should be studying for the bar; Larry misses his job; Ronnie's mom thinks he needs a girlfriend. Sarah longs to refuse to be trapped in an unhappy life. Where can these tangled paths lead?Written by
When Sarah is running out of the park calling Lucy's name, her cardigan is barely falling off of her shoulders. When she stops and screams Lucy's name, she is shown to her chest and no cardigan is seen. Next shot, she's running to Lucy wearing her cardigan again. See more »
I was walking home the other evening having just watched this at the theatre. Two guys were ahead of me on the street and had just seen it as well. Not intending to listen in on their conversation ... I did anyway, *LOL*. One asked his friend what he thought about the movie and the second took a moment to think about it. His answer? "Twisted man, too twisted!" Thoreau wrote in Walden that "the mass of men lead lives of quiet desperation." In 'Little Children,' we see that quiet desperation played out to full effect by desperate housewives, ex-cons and damaged loners. A deep study of loneliness, 'Little Children' is morally ambiguous and doesn't judge. It uses humour, it uses dread, and it is a film that is at times quirky, intelligent and ultimately fascinating.
I liked a lot of things about this movie and in the week since I saw it, I've grown to like it more. Thematically it should have been a terrible downer: a collection of people who've all settled into what seems like the beginning of the end. They've married, started having kids and every single one of them wakes up in the morning with dread. "Is this all that is left?" They have become, or more importantly, believe that they have become completely purposeless in the next of a continuing doldrum of empty days. Eternity awaits and eternity is purposeless existential hell.
What is remarkable about a film whose subject should be so bleak, is the warmth and humour within it. Characters in 'Little Children' reject the lack of purpose, the unhappiness and try to re-inject a passion for life that they once had. At its most extreme, the quest for passion and purpose is lead by Noah Emmerich -- certainly most of the humour comes from his character. Winslet, Wilson and Emmerich are all flawed (who isn't?) but sympathetic. And then there is Jackie Earle Haley.
How difficult must it have been to play a convicted sex offender who is both repellent and *gasp* sympathetic? If you're Jackie Earle Haley and you are stealing a film away from bigger stars and you've got a great part, then apparently it isn't very hard at all. Creepy, potentially dangerous but also fairly benign and pitiable, Haley gives a much over-looked performance in what is quickly becoming a much over-looked film. He has given what I think is one of the best performances this year, and what is certainly the best performance of his entire career.
'Little Children' is "twisted man, too twisted" but it is also very good and very compelling. Well worth the risk and extremely well paced. It was only after the film had ended that I noticed how long the film was. Completely engrossing, I recommend it highly.
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