The Exorcism of Emily Rose

Yes, I know, we've seen too many mediocre horror movies in the past few years. Yes, I'm fed up with horror stories that are "based on true events", too, but don't write this movie off too soon. If you ignore the assertion that this has all happened in reality and just accept that you're in for a supernatural movie, you'll have a gay ol' time with "The Exorcism Of The Emily Rose".

The first thing to mention is that there has never been a combination of horror movie and courtroom drama before, and while some reviewers have stated that the two genres don't go together well, I have to disagree. The courtroom setting added a lot of suspense to the story and horror movies always work best when there is suspense added to the spooky and creepy elements. And boy, does this movie have some creepy scenes.

The four main actors do a fine job and the restrained direction is pretty atmospheric too, except for some minor fashionable shots that are probably not going to age very well (for example, one time Scott Derrickson reverts to Darren Aronofsky-cam, which is already getting old). Anyway, the main attraction is the story itself, and as I've said, it's fast paced and exciting - at least until the third act. Up until that point it's hard to watch the screen at times because Derrickson uses his shock scenes so effectively and steers clear of any jump-clichés. Then a certain climax is reached, the movie reduces its supernatural elements and relies maybe a bit too much on the courtroom drama aspect. On the plus side Derrickson avoids going over the top like so many other horror movies do including embarrassing CGI-orgies in their showdowns. On the other hand, it is exactly that relatively quiet ending that prevents "The Exorcism Of Emily Rose" from becoming a real classic. One just has the feeling that the priest and the trial made a whole lot of fuss about nothing, because there's no real solution in the end.

"The Exorcism Of Emily Rose" has enough chilling moments not to be overshadowed by "The Exorcist", the big Kahuna of the exorcism genre, but it's not going to be remembered as a cornerstone of the horror genre. In 2005 you couldn't find a lot of spooky movies that were better than this one, though.

First of all this was a good movie.

The Exorcism of Emily Rose is based upon a true story, the events that lead up to the death of Emily Rose. The real person who inspired this movie was Anneliese Michel. Emily Rose was a young college student, who believed she was possessed. Her family and her pastor did everything they could to save her. The story wasn't overly predictable. It was a look back on what exactly happened when Emily Rose got possessed and how it ended. the Priest, Father Moore was help by an agnostic lawyer, Erin Bruner and her trying to not only get ahead in her career but convince a journey that medical science could not determine. Emily Rose had a medical condition but a demonic possession. But the prosecutor, Ethan Thomas was a devout catholic and against the priest, Father Moore. The dynamics between the key characters is interesting and well thought out.

Scott Derricksen's well-executed multi-layered film works both as a psychological horror and a gripping courtroom drama. He was so inspired by the novel and intrigued by the issues presented that he ended up making this movie. It shows that he has done extensive research.

What I liked about the horror element is that even though there are a few jumps, it does not derail into ridicule. The director doesn't overdo any violence, blood, scary faces and whatever. Derricksen uses a lot of silence which leaves the viewer in a heightened state of suspense desperately wondering what will break the silence. His use of colour is clever and it sets a chilling atmosphere. You can see hints of Dario Argento and Gaspar Noé. For example the red lit corridor in Emily's dorm looks eerily like that underground subway passage in 'Irréversible'. The exorcism scenes are quite chilling (unlike the unintentionally funny ones in 'The Exorcist'). The courtroom sequences raise some interesting questions about scientific reasoning versus the unknown and unexplained. I was impressed that it didn't become one of those God versus Science movies but the Shohreh Agdashloo track left a lot to be desired.

In addition to being a well crafted film, the performances are among the highlights. Tom Wilkinson gives a phenomenal subtle performance. A ravishing Laura Linney is equally electrifying from the yuppie ambitious lawyer to one whose internal conflict makes her doubtful. Jennifer Carpenter delivers an astonishing performance. It couldn't have been an easy part to pull off and would have been easier to mess up but she does a solid job. It definitely makes Linda Blair's bad performance (in the 'Exorcist') look miserable.

I'm not much of a horror movie fan, mostly because they tend to be ridiculous and end up being funny or boring rather than having the intended effect. It will be wrong to lable 'The Exorcism of Emily Rose' is much more than just another horror flick because it does raise questions and tackles some issues without coming to a definitive conclusion (as there are simply no answers to some things that happen).

Wonderful, wonderful movie. A lesson in film-making. I know a lot of people won't be able to see it for what it is because of the supernatural/horror elements (which are usually a turn-off for film snobs), but the movie is just extremely well-made.

Consider the fact that Linney's character's true conflict is not winning the trial, but a satisfyingly complex internal struggle which I will not name so as not to spoil the movie. Or the plethora of food for thought that the movie offers, regarding existentialist issues of perception vs. objective truth, and social issues of liability and responsibility.

Some very interesting scenes that find ways to express things in subtle and creative ways without spelling them out. And an incredible and ballsy performance by Jennifer Carpenter, which takes Linda Blair's possession to a whole new level. Also, notice how a key dramatic monologue is presented, contrary to what we might expect, with no sentimental music in the background. The cinematography is also great. I was reminded of Dario Argento's vivid colors in Suspiria on more than one occasion.

Although it's not the focus of the film, the movie also offers a few very cool scare moments, and seeing Emily possessed is terrifying.

This is my favorite "underdog" movie of the year so far.

Ironically enough, "The Excorcism of Emily Rose" got released in my country (Belgium) synchronously with another similar, real-life lawsuit. A self-acclaimed exorcist has to justify the death of a young girl after performing inhuman rituals and fatal exorcism tricks. It's weird having seen this movie and then follow the lawsuit on TV and in newspapers. It's so easy to deny the existence of demonic possession and to brush aside exorcism as quackery, but then – as this film shows – you're also questioning people's beliefs and family values. Emily Rose is the sympathetic daughter of a poor but deeply religious rural family. Shortly after her long-anticipated start at the university, her body becomes the host of no less than 6 different demons. The priest of the little town where she lives, father Moore, is doing everything he can to purify Emily's body but the demons are too strong and she doesn't survive the exorcism. What makes this film different than the obvious 70's classic "The Exorcist" (which also entirely revolves on the possession of an innocent girl) is that the story takes place after the actual exorcism and in the courtroom where father Moore is on trial for negligent homicide. His ambitious lawyer Erin Bruner goes straight for the acquittal of her client, but father Moore only cares for telling Emily's story, despite the fact that this can cost him his career as a priest. The screenplay of this film was based on a true story and director Scott Derrickson does a great job in making the extended courtroom sequences interesting and compelling. The flashbacks, showing Emily's horrible decrepit, are very atmospheric and contain multiple shock-moments. The acting is sublime, with a powerful Tom Wilkinson as the devoted priest and an enchanting Jennifer Carpenter as the poor Emily Rose. This is not a full-blooded horror film, but definitely one of the most unsettling, disturbing and thought-provoking dramas of the last few years. Highly recommended!