Facing difficult times and with their glory days long gone, the eight undisputed British vampire overlords gather up for their semi-centennial meeting. However, before the break of dawn, there will be blood. And corpses. Lots of them.
After someone is killed in the subterranean project called "Shadowzone," a NASA captain is called in to investigate. In the project, sleeping subjects are induced into a deep EDS state ... See full summary »
When college students sign up for what seems a simple paid research study, they soon realize their lives are in danger. Unfortunately they've unknowingly volunteered their bodies as human collateral in an ongoing U.S. Military experiment.
Set during the 1960s in an alternate New Zealand known as Nuovo Zelandia, PERFECT CREATURE imagines a world where vampires and humans peacefully co-exist, with the bloodsuckers the next step in human evolution. This delicate balance looks to be destroyed when an influenza epidemic begins to sweep the human population and one vampire turns to preying on humans. The church sends out Silus to catch the renegade vampire, Edgar. Silus joins forces with a human police captain, and discovers that Edgar harbors dark secrets.Written by
In this movie, Lilly carries a Japanese Type 14 Nambu semi-automatic pistol and Det. Jones carries a German Model C96 "Broomhandle" Mauser. These very unusual pistols - particularly the Nambu - are virtually never seen outside WWII movies. See more »
Alternative reality in steam-punked Oamaru makes a gritty vampire thriller.
The movie looks stunning: with a comparatively tiny budget, writer/director Glen Standring makes good use of computer generated imagery but blends in beautifully with the 'real life' shots. Colourwise, the movie is a masterpiece: in tune with the bleak and unwelcoming world it portrays, the colours feel sucked out, and greys and earth tones dominate. A mainly Kiwi cast apart from leads Dougray Scott and Saffron Burrows does a good job and did I mention the visuals? The art directors and production designers Ivey, Basset and Bavin deserve an Oscar for creating a coherent and plausible steampunk world, that combines technology from the fifties with the interior design of the twenties and a streetlook of the Victorian age. For viewers not looking for horror (or gore) the story is gripping and scary enough.
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