Kaj is an alcoholic living on the money the Danish state is providing him. Him and his friends spend their time drinking beer at a public bench. One day Kaj's life turns upside down when a young lady and her child moves in next to him.
Marius Sonne Janischefska,
Stine Holm Joensen
Kalle, who is studying at the university, and his friend Agger eventually loses some hash that originally belongs to Paten (Abbreviation for "psykopaten", "the psychopath"). However, ... See full summary »
Lene Maria Christensen,
Three weeks before general elections, the leader of one of the country's largest parties, the Center Party, is involved in a severe car accident. The political scene is thrown into disarray... See full summary »
Anders W. Berthelsen,
16 y.o. Danish high school sophomore Viktor falls in love with senior Anja at 1st hiccup. Their little brothers (BFFs) invite him to Anja's 18th birthday party. Viktor's 2 friends also help. Where does Anja's arrogant boyfriend fit in?
Tomas Villum Jensen
At their 25th high-school anniversary some bourgeois citizens remember their time in school as a happy one. In reality it was quite the contrary. The school was a madhouse in which the ... See full summary »
Tomas Villum Jensen,
In the early '60s, 3 Danish classmates join a "den"/tree house. Steen likes his pet fish Zappa because it eats the weaker fish. Bjørn attracts girls and Mulle is a talkative, strong boy. Steen gets them into burglary and later escalates.
While changing the pipes in the tanningbeds at Golden Sun, Tommy meets the owner. A middleaged former Miss Fyn called Susse. Slowly an unusual love affair begins. Tommy's two friends Ole & ... See full summary »
Tomas Villum Jensen
Nikolaj Lie Kaas,
Thomas Bo Larsen
The true story of the Fiil's a family of innkeepers who during Nazi-Germany's occupation of Denmark took up arms against the German occupiers. But in the fight for freedom, some must die so that others may live.
Anne-Grethe Bjarup Riis
Jens Jørn Spottag,
"Angels in Fast Motion", or "Nordkraft" to give it its original Danish title, follows the fate of three youthful people in their twenties, as they each fight a personal battle with drugs that weaves together three distinct storylines. The film is an, unflinching and brutal story of addiction in a cruel and depressive world, but with a little thought of hope and love through its core. It all takes place in the grey Aalborg as a striking backdrop and we get introduced for Maria, Allan and Steso. Maria (_Signe Egholm Olsen_) is a pusher frau, as she call herself, or a drugs trafficker. She lives with her dealer boyfriend Asger (_Thomas L. Corneliussen_), a former doorman whose education as a tattooist is financed by drugs, that Maria smuggles in from Copenhagen. But Asger is unable to give her the love and affection she needs, so all the time Maria is waiting--Waiting for love. Suddenly Maria does not want to make any more trips and that leads to the introduction of Hossein (_Farshad ...Written by
Philip S. Christensen
The first scene seen in the movie was shot in Pusherstreet in Christiania, Denmark, and was the first time anyone had ever been allowed to film there. It used to be impossible because of the great powers of the pushers, but Christiania and the pushers wanted some good publicity, because they'd just been cleared out, and they may have realized they were part of the outside world and not merely a closed system. See more »
In Persia they say that opium is good for anything. Good for the pain within. Very good super aspirin.
See more »
By that, I don't mean Maria, Allan and Steso (Thomas) who were meant to be the three main characters. I mean Maria, Allan and Hossein. All the way through, I was hoping for Steso to get more interesting or more involved in the slowly interconnecting story. At the same time, I was straining to learn more about Hossein, the Persian war veteran with enough self-esteem to share.
As an English-speaker, I could not help compare this film with *Trainspotting*. It is a very 'f*** life' philosophy and comments more than once on the bourgeois and their habits.
I also could not help but compare the camera-work with that of *Requeim for a Dream*. David Stratton would hate it: rushy and giddy - but I like that sort of thing. There was no stop-motion that I remember.
I did like the sound-track, but I may be biased because the lyrics were often in English.
3 of 4 people found this review helpful.
Was this review helpful to you?
| Report this