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Nochnoy dozor (2004)

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A fantasy-thriller set in present-day Moscow where the respective forces that control daytime and nighttime do battle.

Director:

Timur Bekmambetov

Writers:

Timur Bekmambetov (screenplay), Laeta Kalogridis (screenplay) | 1 more credit »
2 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Konstantin Khabenskiy ... Anton
Vladimir Menshov ... Geser
Valeriy Zolotukhin ... Otets Kosti
Mariya Poroshina ... Svetlana
Galina Tyunina Galina Tyunina ... Olga
Yuriy Kutsenko ... Ignat (as Gosha Kutsenko)
Aleksey Chadov ... Kostya
Zhanna Friske ... Alisa
Ilya Lagutenko ... Andrey
Viktor Verzhbitskiy ... Zavulon
Rimma Markova ... Koldunya Darya
Mariya Mironova Mariya Mironova ... Mat Egora
Aleksey Maklakov Aleksey Maklakov ... Semyon
Aleksandr Samoylenko ... Medved
Dmitriy Martynov ... Egor (as Dima Martynov)
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Storyline

Among normal humans live the "Others" possessing various supernatural powers. They are divided up into the forces of light and the forces of the dark, who signed a truce several centuries ago to end a devastating battle. Ever since, the forces of light govern the day while the night belongs to their dark opponents. In modern day Moscow the dark Others actually roam the night as vampires while a "Night Watch" of light forces, among them Anton, the movie's protagonist, try to control them and limit their outrage. Written by Armin Ortmann {armin@sfb288.math.tu-berlin.de}

Plot Summary | Plot Synopsis

Taglines:

All That Stands Between Light And Darkness Is The Night Watch.


Motion Picture Rating (MPAA)

Rated R for strong violence, disturbing images and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Russia

Language:

Russian | German

Release Date:

3 March 2006 (USA) See more »

Also Known As:

Guardianes de la noche See more »

Filming Locations:

Russia See more »

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Box Office

Budget:

$4,200,000 (estimated)

Opening Weekend:

RUR 80,740,175 (Russia), 11 July 2004

Opening Weekend USA:

$106,425, 19 February 2006, Limited Release

Gross USA:

$1,487,477, 30 April 2006

Cumulative Worldwide Gross:

$31,933,365, 13 February 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (international)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Official selection from Russia for the Academy Awards of 2005. See more »

Goofs

The number plate on the Gorsvet lorry in 1992 is the same as in 2004; but the current standard for number plates was introduced in 1995. See more »

Quotes

[first lines]
Narrator: Since the time immemorial, the knights who call themselves the Warriors of Light have been chasing witches and sorcerers who torture humans.
See more »

Crazy Credits

The intro credits for the Russian version are shown during the swimming pool scene and the succeeding scene where Anton gets a phone call. The title credits interact with the surroundings, (e.g., flow like blood in the water). See more »

Alternate Versions

On the US DVD the French Audio contains different music than the English and Spanish Audio tracks on the disc. See more »

Connections

Featured in Kak snimalsya 'Nochnoy dozor' (2004) See more »

Soundtracks

Shatter
Written by Grant Nicholas
Performed by Feeder
Featured during the end-credits of Fox releases outside the USA & Canada
See more »

Frequently Asked Questions

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User Reviews

 
Night Watch is better watched at night
19 November 2004 | by AbominogSee all my reviews

I was reluctant to see this film for so long.

It was mainly in defiance towards that frantic promotion campaign positioning it as the first ever "unrivalled Russian blockbuster" and "a groundbreaking achievement of the decade".

The soundtrack is annoyingly offered for the cell phones: you saw the movie - now set your ringtone to the Night Watch terrific score!

Now it is allegedly considered as the most possible nominee for the Academy Award, while American either remake or sequel is underway.

A real misfortune of the contemporary Russian cinema is that hardly concealed inferiority complex. Some filmmakers no longer shoot movies just to entertain the moviegoers. They strive with their last bit of strength in pursuit of the ultimate goal: TO MAKE AN EXCEPTIONAL FILM THAT WOULD BLOW UP THE Hollywood.

I don't really much incline to the idea that we are somehow aesthetically and culturally above the rest of the world and that we should obligatory go our own way.

But I'm afraid that the efforts to prove, at any cost, that WE ALSO CAN DO A COOL STUFF with bells and whistles, (at least not worse than the "big guys") may be not exactly the right path to the top.

Well, it's a way better than the arms race, but a work of art falls into somewhat self-sufficient category and shouldn't be an object of that sort of competition.

I believe a film doesn't have to bear a specific nationality. Once it is considered irrespective of the country of origin, and could be valued purely as is, just for it's inner virtues, it may look much more appealing.

To be honest, all that my reasoning, however, refers to the hysteria around the Night Watch, rather than to the film itself.

Unexpectedly to myself, I've bought an occasional (licensed) DivX with the Night Watch just to test MPEG4 capabilities of a DVD player.

And I have to admit I was pleasantly surprised. I found it rather atmospheric, gripping and engaging as well as neatly produced. I may say I liked it.

The cast was great, acting - almost impeccable and not over the top (what frequently degrades modern Russian fantasy, sci-fi or action movies). Some dialogues, nevertheless, could have been a bit more articulate.

The cinematography was equally nice - I liked that fancy shooting angles and professional camera-work. Effects were descent and balanced.

The closing titles background song was pretty cool. Frankly I'm not so much enthusiastic about that sort of tiresome music. What is really awesome about the song is its humorous lyrics embracing the entire movie plot.

The idea of the film/book is quite interesting (though not brand new). Numerous dark forces lurk somewhere in a parallel world unseen to unsophisticated humans. Until the time when some of their most villainous representatives would be eager to play with their unsuspecting victims. It is, however, contrary to a certain pact between the good and the evil specifying that both good and evil doings should be controlled and approved by both parties that have established for that reason the respective teams of guardians, the Night Watch and the Day Watch.

Entirely new for the movies with such kind of a pleasant premise is that none has ever got killed, except for a handful of malefactors (like that stoned bloodsucker). Just some pinpoint accurate destructions here and there, minor violence and mild torture. A close-up shot of the finger pinned for a blood sample was the only scene that made my temporal vein twitch of disgust. Menshov's healer-like manipulations with Khabensky's entrails were impressively staged.

A serious drawback of the film is the lack of explanation on some principle points. It's not that the philosophy was too complex for my convolutions. But the coherency of the storytelling was impaired at times. Like certain chunks of the film have been lost among leftovers on the cutting room's floor.

My son, familiar with the Lukyanenko's novel, was giving brief tips in the course of the action, which were conducive to the overall comprehensibility.

Final verdict: not for all tastes, but refreshing and worth watching, at least once.

P.S. Amazingly, the majority of the IMDb positive reviews comes from overseas audience, while the Russian reviewers lash the Night Watch with a scathing sarcasm.


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