Boris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later ...
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The American imperialists are at the door and intruding on Japan. To assess and train his troops the lord of the land announces a marathon through the land crisscrossing shores, forests and... See full summary »
19th Century violinist and composer Niccolò Paganini incurs the wrath of his diabolical manager while preparing for his debut performance in London, and falling for the daughter of an English impresario.
Boris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later he directs his own snuff inspired movies. He invites actors to take part in an audition at his country manor house - blurring the lines of what is real and what is fiction.Written by
This film is a huge disappointed. It's like Bernard Rose tried to make something disgusting yet weirdly artistic and failed. The film had so much potential, but the execution was poor. It could've been thrilling, but it feels too distant for the audience to actually fear for the characters. It leaves you with the kind of confusion that doesn't feel as good as an amazing plot twist that just comes out of nowhere and changes everything. It's the kind of confusion that just leaves you wondering, what did I just see, and not in a good way.
I just expected something a lot different. It's kind of like with Natural Born Killers - a simple plot that could be a great movie, but the filmmakers make it too artistic and deep and ruining the simplicity.
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