Casanova

I read here that in the USA this film got an R rating, not PG-13, as ¨director Hallström wanted, only because of something that is suggested is happening under a table. In the Netherlands, where it had it's premiere yesterday, the rating is for over 5 year olds, so that says enough for whom this movie really is. I was at first a little disappointed to find out that this is not a historical movie, but a slapstick comedy, but I loved the settings (Venice and Vicenza,where they made a scene in the famous Teatro Olimpico, which is supposed to be a Venice University in the movie) and the music which is mostly baroque (Vivaldi, Albinoni, Händel, Rameau, Paisiello and a few more) and as a baroque music lover I thoroughly enjoyed the movie just only for the music alone. This must be one of the first-ever costume farce movies, but if you forget all the movies like Shakespeare in love or Pride and Prejudice and take this movie for it's own merits, it is a thoroughly rewarding experience. There was a lot of laughing by the audience and I found myself laughing more than in any movie I remember. It is thoroughly entertaining from first to last minute, but devout Catholics will find it insulting, as it makes fun of the Catholic Church, but it should be quite evident to everyone, also devout catholics, that the story is not to be taken too seriously, so why being bothered by it? The movie can actually be considered as a modern version of an opera buffa. Obviously there is a romantic plot and by all the farce and hilariousness I would say that the romantic element gets snowed under, but, as said, you have to accept this movie for what it is and concentrate on the lavish settings, costumes, music, the fun, and you will want to see it many more times, like me.

Who cares if the plot adheres to the facts, this is a lighthearted movie not intended to be take seriously! It is a romp around the most beautiful city in the world. The wonderful music carefully selected and very well performed is just a joy, and the actors all camp it up with a wealth of nuance, subtlety and verve. It conveys all the joy of life of this city and this period when noblemen and lesser mortals dressed up and paraded the canal-sides and passages and bridges, masked to preserve identity and equality.

Almost a Moulin Rouge backdrop at times with almost circus-like pranks. Not intended to be taken seriously-get it? A romp, a party, an opera, and wonderful fun.

'Casanova' is a funny Venecian comedy that has a good doze of romance, humour, drama and colour. Yes, the sets and costumes are pleasantly colourful. The art direction deserves credit. Even though the sets look theatrical, it fits with the presentation. The whimsical score adds energy. The editing is mostly good but the film does drag a little in the middle. In terms of story, there isn't anything new (which is the usual case with romantic comedies) and I would have liked to see the love blossom between Casanova and Francesca after they find out each other's identity and also how Casanova resists his 'urge' to be with other women in order to be faithful to Francesca. The dialogues are witty and amusing. Heath Ledger fits the part and effectively pulls off the title role. Sienna Miller is unrecognizable but still pretty. She may arguably be a little too young for the part but is still vivacious and her youth adds to the stubbornness of the character. Lena Olin has a graceful presence. Oliver Platt is hilarious. The romantic track between Paprizzio and Andrea is among the most endearing and funniest moments. Omid Djalili is great as the sidekick. Jeremy Irons is good too. 'Casanova' isn't pathbreaking cinema but it would make for a good date movie or a Sunday night/rainy day film. It's colorfully vibrant. It's funny. It's nice to look at.

CASANOVA is a delightful comedy and farce with a tremendous cast of very talented actors. Heath Ledger is a wonderful and witty CASANOVA, Sienna Miller delivers a delicious performance, and Jeremy Irons, Oliver Platt and Lena Olin all add to the humorous plot and story. This film is fun to watch and see the romp through Venice as CASANOVA jumps from one roof top to another in a very beautifully photographed film.

Lasse Hallstrom has directed a film which showcases the beauty of Venice in a romantic comedy that has beautiful sets and costumes. The ride in the hot air balloon is a cinematic moment which captures the adventures of CASANOVA and his attempt to woo the woman he really loves.

The dialog, pace of the film and the colorful ending makes CASANOVA a story worth watching and with a cast that is simply out of this world. And Heath Ledger and Sienna Miller provide CASANOVA with just the right amount of romance and adventure. Bravo, CASANOVA.

"Casanova" is a delightful comic farce that uses a period setting for an amusing cross between "The Princess Bride," "Much Ado About Nothing" and the spirit of "The Marriage of Figaro" (not at all "Don Giovanni" that is based on the same legend).

Director Lasse Hallström gets the romantic romp tone right here, compared to what he did not achieve in "Chocolat." He establishes from the opening that this is just fun opera buffo, with frequent sight gags and commedia dell'arte troupes and Punch and Judy-type puppet shows broadly commenting on the action, though it took four writers to stitch together the broad double entendres and winks at Shakespeare, from, appropriately, "Merchant of Venice", to "The Merry Wives of Windsor" to "Taming of the Shrew."

Heath Ledger has grown up since he first demonstrated he had the light touch for romantic comedy in the teen version of "Shrew," "10 Things I Hate About You," and he's much more confident now. One of the cute conceits of the film is that the women are the aggressors, especially the virgins and novices. As the title character, he modestly claims that his success is solely due to his ability to submit. While he's not particularly leonine in the frequent shots of him lounging on a divan, he is dashing as he runs around Venice taking on several different mistaken identities. If his clinch with Jake Gyllenhaal in "Brokeback Mountain" wouldn't already qualify him for an MTV Best Kiss this year, the big one with Sienna Miller could earn a nomination.

Miller is a bit young for her role as a Portia-like "transvestite" philosopher defending the rights of women, but her youth makes her brash earnestness seem more charmingly naïve. As her lively mother, Lena Olin provides the older woman ballast, without the usual sex-starved widow stereotypes.

Oliver Platt should be signed immediately to do a major production of "Falstaff," as he deftly and physically plays that character type, here a lard mogul representative of mercantile Genoa, even more deliciously and sympathetically than he has in "Ice Harvest" and "Huff."

Jeremy Irons has fun playing the Inquisitor, representing religious Rome, whose purple robes fit right in at a carnivale masquerade ball.

The look of the film helps enormously, with the best use of Venice as a sensuously unique setting since "Dangerous Beauty," not just for the usual gondolas and canals, but the steps, plazas, architecture, roofs, narrow streets, alleys and the light. The wigs and costumes are wonderfully colorful.

The marvelous stitching together of Baroque music keeps the mood merry, with overtures and dances from eight Jean-Philippe Rameau operas, six Italian composers, including of course Vivaldi, as well as snatches of Handel and Telemann added at appropriate water and fireworks moments.