Having failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the 'real' performances were over)...
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Having failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the 'real' performances were over) the diminutive Klaus Nomi headed for NYC in 1972. The vibrant New Wave/avant-garde gestalt of the mid/late '70's East Village proved to be fertile ground for the development of his unique talents. Working by day as a high-end pastry chef, Nomi began to stage his outlandish performances, first launching himself upon an unsuspecting public at the New Wave Vaudeville in 1978. The hip and cynical young audience was stunned by this weird combination of falsetto arias, booming classical orchestration, Kraftwerk-style electronica, futuristic costumes and outer space imagery. An odd assortment of artists, choreographers, designers, songwriters and musicians jumped on to the Nomi bandwagon and the phenomenon began to take off - first attracting thousands to South Manhattan events (including performances at ...Written by
We very much enjoyed this movie and it expanded our enjoyment of Klaus Nomi. We already had the "Encore" album and were fans. Of course, seeing Klaus is very much part of the experience. To see him speaking and to hear others reminisce about him added a very nice personal touch. On the extras there is a video of Boy Adrian's mutant dance. Way cool. It reminded us of Ray Harryhausen animations for films in the '50s, such as The Seven Voyages of Sinbad. Hearing Klaus's wonderfully weird vocals and seeing that performance were something. I wonder if anyone knows what became of Boy Adrian? Lovely DVD. We're going to rent it again now to listen to the commentary after reading about that in this message board.
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