| Cast overview, first billed only: | |||
| Jean Reno | ... | Jean-Louis Schiffer | |
| Arly Jover | ... | Anna Heymes | |
| Jocelyn Quivrin | ... | Paul Nerteaux | |
| Laura Morante | ... | Mathilde Urano | |
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Philippe Bas | ... | Laurent |
| David Kammenos | ... | Azer Zeki | |
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Didier Sauvegrain | ... | Dr. Ackerman |
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Patrick Floersheim | ... | Philippe Charlier |
| Etienne Chicot | ... | Olivier Amien | |
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Albert Dray | ... | Le lieutenant |
| Vernon Dobtcheff | ... | Kudseyi | |
| Élodie Navarre | ... | La fliquette | |
| Philippe du Janerand | ... | Le légiste | |
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Corentin Koskas | ... | L'interne |
| Jean-Pierre Martins | ... | Professeur Ravi | |
Suffering from terrifying hallucinations and alarmingly frequent incidents of amnesia, Anna Heymes, the troubled wife of a French civil servant, finds it increasingly difficult to remember the face of her husband. In the meantime, as the third mutilated body of a Turkish woman emerges from the dark Parisian sewers, the young chief of the investigation, Paul Nerteaux, enlists the help of the dishonoured former detective, Jean-Louis Schiffer. Now, Schiffer's brutal methods, along with his profound experience, are Paul's last hope to shed light on this intricate case. Can they find who is behind the gruesome murders before it's too late? Written by Nick Riganas
Stylish and compelling mystery thriller along the lines of the CRIMSON RIVERS series, staring the consistently likable Jean Reno as a retired detective recruited back to assist a young Captain who is investigating a series of cruel murders of female Turkish immigrants which are suspected to involve a cadre of Turkish terrorists known as the Gray Wolves; meanwhile Arty Jover very well portrays a young amnesiac woman married to another police investigator who learns disturbing truths about her past with both stories eventually merging in a thrilling climax that works despite some inherent preposterousness. Film is very well directed by Chris Nahon who lends a great deal of visual stylization to the storytelling; the storyline is somewhat convoluted but nonetheless becomes quite engrossing that the film works as an interesting and entertaining thriller, enhanced by impressive effects and an atmospheric musical sound design (five composers are credited). A winning example of style over substance, film is very enjoyable for the undiscriminating.