In creating The Breach I began to think of the symbiotic agreement Native Peoples had with salmon for millennia and how that has been compromised. There are hopeful restoration projects for... See full summary »
Journalist Gary Webb, California 1996, started investigating CIA's role in the 1980s in getting crack cocaine to the black part of LA to get money and weapons to the Contras/freedom fighters in Nicaragua.
In February, 2001, Robert Hanssen, a senior agent with 25 years in the FBI, is arrested for spying. Jump back two months: Eric O'Neill, a computer specialist who wants to be made an agent is assigned to clerk for Hanssen and to write down everything Hanssen does. O'Neill's told it's an investigation of Hanssen's sexual habits. Within weeks, the crusty Hanssen, a devout Catholic, has warmed to O'Neill, who grows to respect Hanssen. O'Neill's wife resents Hanssen's intrusiveness; the personal and professional stakes get higher. How they catch Hanssen and why he spies become the film's story. Can O'Neill help catch red-handed "the worst spy in history" and hold onto his personal life?Written by
Once out of the Federal Bureau of Investigation (FBI), Eric M. O'Neill recounted his experience of working with Robert Hanssen - and the unique relationship that developed between them - to his brother, David, who convinced him that the story would make a fascinating film. O'Neill sought and was granted approval by the FBI to move forward with the idea. See more »
In the night street scene in front of Eric's apartment, set in DC, there is a Canadian "Do Not Enter" sign clearly visible in several shots. See more »
Sunday, the FBI successfully concluded an investigation to end a serious breach in the security of the United States. The arrest of Robert Hanssen, for espionage, should remind us all, every American should know, that our nation, our free society, is an international target, in a dangerous world.
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"Breach" is slow - slow enough to recommend waiting to rent for most people. It is a good story, but the material requires the methodical pacing that will bore viewers hoping for car chases and gun fights.
The most authentic part of the movie is its attention to detail. The interior shots look like the drab, boring government offices they portray. This wonderfully realistic touch will be lost on those that haven't toiled in such holes; it is nice that a movie finally depicts a governmental office that looks like one, instead of a futuristic, gleaming movie version that has more in common with the starship Enterprise.
Intentionally or not, the drabness goes beyond the office spaces (apologies to - yeahhh - Gary Cole). Laura Linney's hair is flat and dull, and she's as pale as a ghost. All of the exterior shots are cloudy with a 70% chance of showers, like DC all winter long. The somber look of the movie enhances theme, but will probably leave some viewers with a bad taste.
As a retired intelligence analyst, I enjoyed this movie because it reminds us that traitors exist, and they cause damage to our national security. Like "United 93" it isn't easy or enjoyable to watch, but the subject matter is thought provoking.
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