Four tales of crime adapted from Frank Miller's popular comics, focusing around a muscular brute who's looking for the person responsible for the death of his beloved Goldie, a man fed up with Sin City's corrupt law enforcement who takes the law into his own hands after a horrible mistake, a cop who risks his life to protect a girl from a deformed pedophile, and a hitman looking to make a little cash.Written by
The film, and many of its effects and scoring, were all done in Robert Rodriguez's studio, which is immediately across the street from his house, because he refuses to work anywhere else, and shuns other Hollywood traditions. It took his friendship with Miramax honchos Bob Weinstein and Harvey Weinstein to make the production of this film possible, as no other studios would take a chance on either Rodriguez's methods or such a bizarre film. See more »
As soon as Hartigan realizes he was setup to find Nancy, he tries to leave unnoticed so Junior doesn't know who she is.But Hartigan didn't know what she looked like, he just asked for Nancy. But Junior knew her name was Nancy too, so he could've just asked for Nancy even if Nancy never spotted Hartigan. See more »
She shivers in the wind like the last leaf on a dying tree. I let her hear my footsteps. She only goes stiff for a moment.
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In the opening credits, each of the actor's names is shown with a frame from the comic, featuring their character. See more »
December 2005 DVD reissue included an extended, reedited version of the film. The four story lines were separated into individual short films, with about seven minutes of additional footage added, marketed as approximately 25, but about thirteen of those minutes are credits added to each story and five come from marketing exaggeration. See more »
Went to a sneak preview of this movie today, and I was blown away. Over the years people have tried to emulate the feel of comics on the screen, and met with mild success(Dick Tracy), minor failure(Hulk), and solid success(Sky Captain and the World of Tomorrow). This is hard to do, but Sin City hits this dead on. The film is entirely in black and white(Except for about 20 seconds that I noticed in one scene.), except for highlights of color(Gorgeous eyes, splattered blood, and red Converse All-Stars to name a few.). This gives the film a feel that immerses you into the storyline. Add to this the overly corny duologue and scenes where scantily(And I DO mean scantily) clad women pull Uzi's out of literally nowhere, and you have all the right makings for a transfer of a comic book to the screen. The duologue had me laughing almost constantly, but it's easy to tell that they wanted you to laugh, even when they lines were incredibly corny and melodramatic...
The performances in the movie were great as well. I believe my favorite male character was Marv, played by Micky Rourke, and my favorite female character was definitely Miho, played by Devon Aoki. It seems that everyone and their dog was either in this movie, or lent some of their talents to it, and it shows.
I would definitely suggest that you see this in the theatre the very first time, because it will NEVER have the same impact on your TV at home as it does on a 30-foot screen in a dark theatre. I was actually able to note a few times where the digital cameras were able to outperform anything film could do.
A lot of violence in this movie, although most of it is either totally cartoon-style, or off camera, and some gore as well... A good amount of nudity in the film, ALL of it on camera, so you'll probably want to leave the kiddies at home.
All in all, one of the best movies I have seen in a long time, and I'll probably go see it again while it's in the theatres, so that my fiancé can enjoy it as well...
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