Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Recall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Young Ender Wiggin is recruited by the International Military to lead the fight against the Formics, an insectoid alien race who had previously tried to invade Earth and had inflicted heavy losses on humankind.
John Carter, a Civil War veteran, who in 1868 was trying to live a normal life, is "asked" by the Army to join, but he refuses so he is locked up. He escapes, and is pursued. Eventually they run into some Indians, and there's a gunfight. Carter seeks refuge in a cave. While there, he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. He meets a woman who helps him to discover that he is on Mars, and he learns there's some kind of unrest going on.Written by
In September 2014, studio president Alan Bergman was asked at a conference if Disney had been able to partially recoup its losses on this and The Lone Ranger (2013) through subsequent release windows or other monetization methods, and he responded: "I'm going to answer that question honestly and tell you no, it didn't get that much better. We did lose that much money on those movies." See more »
The sun is so far away, that its light shines at the same angle upon Mars & the two moons; this means that all three bodies always have the same phase. Yet looking up from the night-time wedding, the 'top' of both moons is in broad daylight. See more »
John Carter is an unjustly dismissed sci-fi masterpiece...grossly unjustified. What was wrong with it? Specifically, what was wrong? Pacing? It was intense!!! Coming from someone who uses this word sparingly, this movie was "EPIC". I am almost certain that time will enable objectivity, and objectivity will redeem it from the stinging taint slapped on it due to a predictably simplistic aversion to what is "mainstream" by film critics. If a studio other than Disney could have created the same film with half the budget it would have been heralded as a cinematic achievement within the sci-fi genre, but its budget was viewed as ostentatious and its production studio as childish, so it became "cool" to hate on it before anyone had even seen it.
Who makes something and how much they pay to have it made has nothing to due with the quality of what is actually produced, it may be indicative of quality or lack thereof, but the final product speaks for itself. Reviews of John Carter tell us more about film critics than the critics told us about the film. It was practically perfect. "Incomprehensible plotting"??? They laid the groundwork for the presumed sequels by deliberately leaving a few questions unanswered, which I hope they still make and answer because I loved this first one! Mars was epic, and then in the end we are reminded that the story began on Earth and the film ends stronger than I could have hoped for! An excellent story masterfully told on screen.
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