7.3/10
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127 user 159 critic

Paris, je t'aime (2006)

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Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.

Writers:

Tristan Carné (original idea), Emmanuel Benbihy (transitions) | 30 more credits »
3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Fanny Ardant ... Fanny (segment "Pigalle")
Julie Bataille Julie Bataille ... Julie (segment "Tuileries")
Leïla Bekhti ... Zarka (segment "Quais de Seine")
Melchior Derouet Melchior Derouet ... Thomas (segment "Faubourg Saint-Denis") (as Melchior Beslon)
Juliette Binoche ... Suzanne (segment "Place des Victoires")
Seydou Boro Seydou Boro ... Hassan (segment "Place des Fetes")
Steve Buscemi ... Le touriste (segment "Tuileries")
Sergio Castellitto ... Le mari (segment "Bastille")
Willem Dafoe ... Le cowboy (segment "Place des Victoires")
Gérard Depardieu ... Le patron (segment "Quartier Latin")
Cyril Descours Cyril Descours ... François (segment "Quais de Seine")
Lionel Dray Lionel Dray ... Ken (segment "Quartier des Enfants Rouges")
Marianne Faithfull ... Marianne (segment "Le Marais")
Ben Gazzara ... Ben (segment "Quartier Latin")
Hippolyte Girardot ... Le père (segment "Place des Victoires")
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Storyline

Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by Emmanuel Benbihy

Plot Summary | Plot Synopsis

Taglines:

One City. 10 Millions Hearts. One Love Story. One Film. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and brief drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Language:

French | English | Spanish | Mandarin | Arabic

Release Date:

15 June 2007 (USA) See more »

Also Known As:

Paris, je t'aime See more »

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Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend USA:

$39,242, 6 May 2007, Limited Release

Gross USA:

$4,857,376, 5 August 2007
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Alexander Payne wrote the role of Carol specifically for Margo Martindale. See more »

Goofs

In the last segment, where the grave of Jean Paul Sartre and Simone de Beauvoir is shown, the audio and subtitles both say Simon Bolivar. This is not a goof; rather, it is showing that Carol (Margo Martindale's character) is not completely confident in French and/or history. See more »

Quotes

Carol: They say a lot of things about Paris. They say it's a place where artists find inspiration. They say it's a place where people come to discover something new about their lives. They say it's a place where you can find love.
Carol: Of course, at my age, I didn't expect any of that.
See more »

Connections

References Amélie (2001) See more »

Soundtracks

Tian Ya Ge Nu
(The Wandering Songstress)
Written by Han Tian and Lu Ting He
Performed by Zhou Xuan
(P) 2004 EMI Music Hong Kong
(C) 1968 EMI Music Publishing Hong Kong and Han Tian MCSC
With the permission of EMI Music Publishing France
All rights reserved for the whole world
With the kind permission of EMI Music France
See more »

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User Reviews

 
The bizarre and beautiful language of love...
24 June 2006 | by kabenson08See all my reviews

Although I live in Minnesota, I have been studying in France lately and came across this bizarre gem of a film.

This movie was amazing, to say the least. A creative and unique film, the different directors each lent something different to their interpretation of love in the City of Light. The first instinct is to attempt to fit each one of these little stories into an overall storyline, much as can be done with 2003's Love Actually. This attempt, however, renders the magic of each individual segment obsolete. When taken at face value, with each of the short segments taken as its own individual film, the love stories together tell a beautiful message.

The film is strikingly bizarre at times -- often to the point of confusion -- and each individual segment can be hard to follow. Still, to a watcher who pays close attention to each of the segments, the short plot lines become clear after a short time. The confusion is almost intriguing; it keeps you on the edge of your seat waiting for what will come next. It leaves the viewer wondering "Did that really just happen?" yet also leaves them satisfied that it did, indeed, occur. It's the kind of movie where the viewer, upon leaving the theater, can't actually decide whether they loved it or they hated it. The initial reaction is to go and watch it again and again, just to see these individual lives blend together into a cinematic masterpiece.

The interesting decision to make the movie multilingual adds something to the spectrum of people who can relate. It adds to the reality of the film -- here, the American tourists speak English, the Parisians French, and so on. The number of people that the film encompasses leads to an understanding of the international language of love.

From sickness to the supernatural, the love of parents to the love of husbands, this film covers all the bases of romantic storytelling. In its beautiful and quirky way, each unique event somehow falls into place to tell a story: that of all types, sizes, nationalities, and shapes of love.


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