Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.Written by
The original intention of the film was to represent each of the 20 arrondissements of Paris but this idea was abandoned together with filmed segments by directors Christoffer Boe and Raphaël Nadjari. See more »
In the last segment, where the grave of Jean Paul Sartre and Simone de Beauvoir is shown, the audio and subtitles both say Simon Bolivar.
This is not a goof; rather, it is showing that Carol (Margo Martindale's character) is not completely confident in French and/or history. See more »
Kiss me on impulse! Surprise me!
Me, me, me, me! You always want your feelings understood! But mine are childish! Sex isn't disgusting unless you make it disgusting! There can be beauty in this place too!
Not what I call beauty!
I need a little help! You don't know what it's like for a man when it's all gone! I can't feel anything anymore!
Do you feel *that*?
[turning to the stripper]
What do you charge to watch an argument?
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Tian Ya Ge Nu
(The Wandering Songstress)
Written by Han Tian and Lu Ting He
Performed by Zhou Xuan
(P) 2004 EMI Music Hong Kong
(C) 1968 EMI Music Publishing Hong Kong and Han Tian MCSC
With the permission of EMI Music Publishing France
All rights reserved for the whole world
With the kind permission of EMI Music France See more »
Just saw this tonight at a seminar on digital projection (shot on 35mm, and first feature film fully scanned in 6k mastered in 4k, and projected with 2k projector at ETC/USC theater in Hwd)..so much for tech stuff. 18 directors (including Alexander Payne, Wes Cravens, Joel and Ethan Coen, Gus Van Sant, Walter Salles and Gerard Depardieu, among several good French/ international directors) were each given 5 minutes to make a love story. They come in all shapes and forms, with known actors(Elijah Wood, Natalie Portman, Steve Buscemi ..totally hilarious..., Maggie Glyllenhall, Nick Nolte, Geena Rowlands ..soo good..and she actually wrote the piece she was in, Msr Depardieu and many good international actors as well. The stories vary from all out romance to quirky comedy to Alex Payne's touching study of a woman discovering herself to Van Sant and one of those things that happens anywhere..maybe? Nothing really off putting by having French spoken in most sequences (with English subtitles) and a small amount of actual English spoken, though that will probably relegate it to art houses (a la Diva.) Also only one piece that might be considered "experimental" but colorful and funny as well, the rest simple studies of sometimes complex relationships. All easy to follow (unless the "experimental" one irritates your desire for a formulaic story. Several brought up some emotions for me...I admit I am affected by love in cinema...when it is presented in something other than sentimentality. I even laughed at a mime piece, like no other I have seen (thank you for that!) The film hit its peak, for me, somewhere around a little more than half way through, then the last two sequences picked up again. Some beautiful shots of Paris at night, lush romantic kind of music, usually used to good effect, not just schmaltz for "emotions" in sound, generally good cinematography, though some shots seemed soft focus when it couldn't have meant to have been (main character in shot/scene). Pacing of each film was good, and overall structure, though a bit long (they left out two of what was to be 20 films, but said all would be on the DVD) seemed to vary between tones of the films to keep a good balance. Not sure when it comes out, but a good study of how to make a 5 min film work..and sometimes, what doesn't work (if it covers too much time, emotionally, for a short film.) Should be in region one when released, but they didn't know when.
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