Forty-three year old Elle magazine editor Jean-Dominique Bauby - Jean-Do to his friends - awakens not knowing where he is. He is in a Berck-sur-Mer hospital, where he has been for the past several weeks in a coma after suffering a massive stroke. Although his cognitive facilities are in tact, he quickly learns that he has what is called locked-in syndrome which has resulted in him being almost completely paralyzed, including not being able to speak. One of his few functioning muscles is his left eye. His physical situation and hospitalization uncomfortably bring together the many people in his life, including: Céline Desmoulins, his ex-lover and mother of his children; Inès, his current lover; and his aged father who he calls Papinou. Among his compassionate recuperative team are his physical therapist Marie, and his speech therapist Henriette. Henriette eventually teaches him to communicate using a system where he spells out words: she reads out the letters of the alphabet in ...Written by
In the movie, Bauby is visited by a friend named Roussin (Jean-Paul K in the book), about whom Bauby feels guilty as his friend was captured and held hostage in Beirut, Lebanon after Bauby gives Roussin his airline seat. In reality, although Jean-Paul K was indeed held hostage in Beirut, it was not due to having been given Bauby's seat. In the book, Bauby expresses guilt at never having contacted his friend upon his release, and there is no mention that the two met up again after Bauby's stroke. See more »
Jean-Dominique shaves his father's mustache, removing the shaving cream. In the next shot, his mustache is covered with shaving cream again. In the following shot, the shaving cream is gone again. See more »
THE DIVING BELL AND THE BUTTERFLY is a jewel of a French film with a story that impacts an audience with an appreciation for life (the butterfly) and for the despair of what may happen if a tragedy might befall you (the diving bell)with the beautiful landscapes of France as a backdrop. The lighting and photography enhance the film, and the faces of the French women are wondrous to behold as the story unfolds on the screen. This film deserves all the accolades that it has received in a story which is spellbinding and emotional. The cast is superb, the scenes that depict the father and son are very real and show the importance of acceptance of father for son, which is carried down to his own children, and the final scenes leave you with a great respect for the writer and his story. Merci beau coup, Ronald Harwood, for delivering this story to the screen.
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