An elderly amusement park maintenance man, Eddie, is trapped in purgatory and the only way out is to confront five people from his past. Unfortunately, dark secrets from his service in the Philippines begin to haunt him.
On his 83rd birthday, Eddie (Voight), a war vet and a maintenance worker at the Ruby Pier amusement park, dies while trying to save a girl who is sitting under a falling ride. When he awakens in the afterlife, he encounters five people with ties to his corporeal existence who help him understand the meaning of his life.Written by
When Tala (Nicaela Weigel) beckons Eddie (Jon Voight) to come to her in the river, she calls him with her palm facing up. In Asian cultures, including Filipino culture, it is incorrect to call someone over with the palm facing up. A Filipino girl would only call another person over with the palm facing down, reserving the "palm up" gesture for animals. See more »
There are two boys on a ride. Eddie helps the one boy get out and he is handed a blue balloon. Then he helps the other boy out and his wife Marguerite hands that boy a yellow balloon. The camera then pans over to the boys heading to their mom but both boys are holding blue balloons instead of one blue and one yellow. See more »
This is a story about a man named Eddie. And it begins at the end, with Eddie dying in the sun. You might think it's strange to start a story with an ending, but all endings are also beginnings. We just don't know it at the time.
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This film is about a man's journey in heaven after he dies. He meets five people in heaven, each teaching him different things that he never knew or understood before.
I have read the book and was deeply touched by it. This film stays very true to the book. The film is basically a direct adaptation of the book, translating every single line of the book into audiovisual material. The end result is that there are many dialogs and scenes that simply do not work in the film. I feel that there are so many scenes that can be cut, and so many dialogs that can be omitted in the film. For example, it does not hurt the film at all if the captain does not ask if the army boys kept in touch with each other. Or the interspersed childhood scenes, which if omitted, will make the film flow more seamlessly.
This is not to say that the film is not good. It is very good, the sets are meticulously created, the acting is great, and the film is touching. My only complaint is that it is too long. Spending 40 minutes on the second person and another 40 minutes on the third person is simply too long.
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