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A dramatic presentation of the bomb blasts that rocked Bombay on March 12, 1993, displays the police investigation, amidst allegations of human rights violations, led by DCP Rakesh Maria, in tracking down the suspects, especially Bashir Khan. Bashir managed to elude authorities by re-locating to Rajasthan, Uttar Pradesh, Delhi, and West Bengal, after finally being apprehended in Bombay. His confession and subsequent flashbacks showcases the apathy shown by authorities who refused to intervene during the destruction of the sacred Babri Masjid by Hindu Kar Sevaks, and the inability of the police to fulfill their mandate and protect the vulnerable, forcing many to flee to other locations. The subsequent aftermath that succeeded in irreversibly polarizing communities in Bombay; Pakistan's involvement in training and arms' supplies; the main alleged suspects, Dawood Ibrahim, and Mushtaq Memon, sought refuge in Dubai, United Arab Emirates, while Indian politicians made a cosmetic move to ...Written by
All the actors in the film had real names of the characters which they played from cops, politicians and bombers. See more »
When the car enters BSE building, in the background, you can see the billboard of HSBC Mutual Fund, which was not launched in India in 1993. It entered India in 2002. See more »
I want to go to Dubai!
But how'll you go without your Passsport?
Why? Anwar has everbody's Passports. Am I right Anwar? You have everybody's Passports, right?
I dont have anybody's Passport!
What? When we came back from Islamabad, you had kept everybody's Passports you crook!
Mind your language Badshah!
Okay, then where're the Passports?
I told you to maintain a civil language, Badshah! Don't you take that tone with me!
Alright, then tell me where are the Passports?
They're with Tiger bhai.
[...] See more »
17 seconds' worth of cockfighting scenes had to be deleted from the UK version. UK law does not allow any film footage of actual animal cruelty that was deliberately orchestrated by the film-makers. See more »
It saddens me that posters on this thread have the need to brand this as a 'bollywood' movie. the brilliance that is ' black Friday' is so far,far,far removed and so many million times better than any of the dross that conventional ' bollywood' could ever even HOPE to produce makes 'bollywood' a throughly inappropriate branding for ' black Friday'.
for me, 'black Friday' is paving the way for what Indian cinema *should* be doing more of....that is, challenging it's audience and offering some intellectual stimulation.
I realise that the Indian cinema public's demand is overwhelmingly for ' boy meets girl, boys long lost brother/best friend also loves the same girl, they have a fight, then they realise they are brothers and engage in a 30 minute dance recital', type of bullshit, but Indians are becoming more sophisticated and I for one cannot wait for the more serious and discerning productions to come from India that truly challenges the mind and senses.
'Black Friday' in this regards represents a HUGE turning point for Indian cinema.
don't miss it..it's a must see movie on so many levels.
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