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Woman Thou Art Loosed (2004)

R | | Drama | 22 October 2004 (USA)
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An adaptation of Bishop T.D. Jakes' self-help novel, chronciling a woman's struggle to come to terms with her legacy of abuse, addiction and poverty.

Director:

Michael Schultz

Writers:

T.D. Jakes (novel), Stan Foster (screenplay) | 1 more credit »
6 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kimberly Elise ... Michelle Jordan
Loretta Devine ... Cassey Jordan
Debbi Morgan ... Twana
Michael Boatman ... Todd
Clifton Powell ... Reggie
Idalis DeLeon ... Nicole
T.D. Jakes ... Himself (as Bishop T.D. Jakes)
Sean Blakemore ... Pervis
Jordan Moseley Jordan Moseley ... Michelle, Age Six
Philip Bolden ... Todd, Age 8 (as Philip Daniel Bolden)
Destiny Edmond ... Michelle, Age 12
Louisa Abernathy ... Elderly Mother
Amy Aquino ... Miss Rodgers
Malik Barnhardt ... Dupree
Porscha Coleman ... Lil' Bit
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Storyline

An adaptation of Bishop T.D. Jakes' self-help novel, chronciling a woman's struggle to come to terms with her legacy of abuse, addiction and poverty.

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for violence, sexual content and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

22 October 2004 (USA) See more »

Also Known As:

Женщина, ты свободна! See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Opening Weekend USA:

$2,500,000, 3 October 2004

Gross USA:

$6,879,730

Cumulative Worldwide Gross:

$6,879,730
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Quotes

Pervis: What they do to you in that prison, huh?
Michelle Jordan: Nothing compared to what they did to me out here.
See more »

Connections

References Oz (1997) See more »

Soundtracks

Take My Life
Performed by Micah Stampley
Written by Scott Underwood
See more »

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User Reviews

 
More than anything.., this movie is about liberation from your personal demons...
9 October 2004 | by BroDouglasSee all my reviews

Renowned minister and author Bishop T.D. Jakes of The Potter's House of Dallas, Texas has brought to screen his best-selling novel that has been a major hit amongst women in his ministry for nearly 10 years. Written at a time in his life when he doubted if he could (read: should) be the 'voice' of the forgotten women, the broken woman, the fallen woman, ...the woman that is often invisible in most church congregations, after the release of his novel, the overwhelming answer was 'preach on, T.D., preach on'. And preach he did, to thousands in his Woman Thou Art Loosed conventions all across the country to sold out stadiums. It's not really a surprise when one knows the history of the journey that this project would be his first feature film effort. Some might argue that this is his most anointed work, especially given the numbers that most lower income minority households now are single parent households and that translates more than likely to often being led by mothers. What happens when these 'mothers' fall into hopeless situations that seem outside the confines of the normal assistance that most churches are only equip to handle? It's in that chasm that Bishop Jakes found his voice.., and calling.

Woman Thou Art Loosed, the movie, is an ambitious project. Well written, and acted by a stellar cast (more on that later), it only suffers from a few minor problems that are mostly cinematic issues. The lighting throughout the movie was uneven and could have benefited from an overall continuity of theme, but all in all, this problem is minor in contrast to the action and dialogue on the screen. The outstanding casting of Kimberly Elise as the troubled lead, Michelle Jordan, who opens this movie, pistol in hand, in the midst of an altar call at a revival meeting of Bishop Jakes, is both tragic and heroic as you learn of her desperation to make sense of her life's choices and conflicts. Kimberly brings a new definition to pathos, and in several scenes proves that she's an actress of great skill and technique, while never allowing the mechanics to be noticed. Adept at emoting with just a look or turn of her brow, she breathes life into Michele's often difficult and challenging scenes with the ease of someone who's really been 'there' in the depths of despair. At it's core, WTAL is a love story. Love gone bad, love gone wrong, love unrequited and love never fully developed. Michelle wants her mother, Cassie, to love her, to see her and acknowledge her. Formidable actress Loretta Devine, portrays a mother that needed mothering, and unfortunately can't give to her daughter what she's never experienced. Failing her daughter at a most critical moment in their journey, creates the rift between mother and daughter and sets into motion that incredible opening scene. Pay close attention to the scenes that include these two actresses, together, for a master's class in scene study.

But make no mistake, the heartbeat of this film is Bishop Jakes and his sermons. Whether being delivered in the pulpit or in a prison cell, his message of restoration is ever present. The moments that soar in this film are those that center on his fiery, common-sense sermons and his ability to touch the very core of issues in simple and succinct analogies. Much more could have been made of these moments and I think the direction in the services suffered a bit, but then again, how do you really direct the holy spirit? Director Michael Schultz is legendary and yet this might be the problem: his style is a little dated and isn't as edgy as some of the more modern films of our times. That being said, I did appreciate his use of the close-up that allowed us to 'see' every nuance of emotion.

It might prove a little difficult to find this film, but it's worth a diligent search. If for no other reason, for the sheer inspiration of the story and to observe major talent acting for once in material that they obviously believe in. I sensed that many of those tears that were shed, weren't all about the characters they were inhabiting. More than a few actors were most likely 'loosed' in the process, as well. It's that powerful of a movie. Highly recommended.


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