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Adriana is a 13-year-old girl from Mexico City whose kidnapping by sex traffickers sets in motion a desperate mission by her 17-year-old brother, Jorge, to save her. Trapped and terrified ... See full summary »

Writers:

Jose Rivera (screenplay), Peter Landesman (story) | 2 more credits »
5 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kevin Kline ... Ray Sheridan
Cesar Ramos Cesar Ramos ... Jorge
Alicja Bachleda ... Veronica
Paulina Gaitan ... Adriana
Marco Pérez ... Manuelo
Linda Emond ... Patty Sheridan
Zack Ward ... Alex Green
Kate del Castillo ... Laura
Tim Reid ... Hank Jefferson
Pasha D. Lychnikoff ... Vadim Youchenko
Natalia Traven Natalia Traven ... Lupe
Guillermo Iván ... Alejandro
Christian Vazquez ... Moncho
José Sefami ... Don Victor
Leland Pascual Leland Pascual ... Thai Boy
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Storyline

Adriana is a 13-year-old girl from Mexico City whose kidnapping by sex traffickers sets in motion a desperate mission by her 17-year-old brother, Jorge, to save her. Trapped and terrified by an underground network of international thugs who earn millions exploiting their human cargo, Adriana's only friend and protector throughout her ordeal is Veronica, a young Polish woman tricked into the trade by the same criminal gang. As Jorge dodges immigration officers and incredible obstacles to track the girls' abductors, he meets Ray, a Texas cop whose own family loss to sex trafficking leads him to become an ally in the boy's quest. Fighting with courage and hard-tested faith, the characters of Trade negotiate their way through the unspeakable terrain of the sex trade "tunnels" between Mexico and the United States. From the barrios of Mexico City and the treacherous Rio Grande border, to a secret Internet sex slave auction and the final climactic confrontation at a stash house in suburban ... Written by Production

Plot Summary | Plot Synopsis

Taglines:

You'll pay for this. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for disturbing sexual material involving minors, violence including a rape, language and some drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany | USA | Mexico

Language:

English | Spanish | Polish | Russian

Release Date:

18 October 2007 (Germany) See more »

Also Known As:

The Girls Next Door See more »

Filming Locations:

Albuquerque, New Mexico, USA See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$118,086, 30 September 2007, Limited Release

Gross USA:

$214,202, 21 October 2007
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Milla Jovovich was going to play Veronica, but backed out of the role. See more »

Goofs

When Jorge calls his mother on the rotary phone he only 'dials' 4 numbers. See more »

Quotes

[first lines]
Jorge: Happy birthday, Princess!
See more »


Soundtracks

Malo
Written and Performed by Bebe
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Frequently Asked Questions

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User Reviews

 
Powerful message with entertainment value, and it works
7 February 2007 | by larry-411See all my reviews

I attended a screening of "Trade" at the Santa Barbara International Film Festival. All week, films had been relatively disappointing. And then this powerful work came along.

It probably is sufficient to say that its subject is child trafficking, in this case, from Mexico to the US. Audiences will recognize Kevin Kline. The other leads are a 13 year-old girl (Paulina Gaitan) and her 17 year-old brother (Cesar Ramos). The film rests largely on the shoulders of these two innocents, and it's on the basis of their performances, even more than the subject matter, that I consider this a must-see film.

Check out this pedigree. "Trade" was written by Jose Rivera (who wrote "The Motorcycle Diaries"). It is based on a New York Times Magazine article. It was originally supposed to be directed by Roland Emmerich (who wrote, directed, and produced "The Day After Tomorrow"). But Emmerich had a conflict, so he ended up producing it along with Rosilyn Heller (who produced "American Heart," a favorite of mine starring Jeff Bridges and Edward Furlong). In turn Marco Kreutzpaintner was hired to direct, a German filmmaker who had a connection to Emmerich through another producer. It was a fortuitous set of circumstances. It's a $12 million indie backed by German funds, Emmerich's own pockets, and Lions Gate, who will be distributing it.

This is quite a moving film and, although it's easy to argue the case, it does not exploit the kids itself in its effort to expose the horrors of child exploitation. While it has some Hollywood moments thrown in for commercial appeal, it's still as compelling as any film I've seen recently. The acting is frighteningly real. A good part of the film is a bit of a road movie where Kline and the boy bond -- he needs a male role model, Kline's life on the road is a lonely existence, you know the drill. Kline's relationship with the boy reminded me of his pairing with Hayden Christensen in "Life as a House." He's good at it, and it's a casting coup that helps put the icing on the cake. The other part of the film focuses on the harsh reality of child trafficking and follows several victims through their ordeals. But Kreutzpaintner's narrative never loses sight of its heartbreaking subject matter.

Director Kreutzpaintner and producer Heller were there for a Q&A. I asked about the casting. He said the boy and girl were found during auditions in Mexico City. He was just the second one they saw. They kept looking, but eventually came back to him. He had never acted before. The girl had done a bit before, but not much. What an auspicious debut. These are two to watch.

There are many "oh my God" moments. It ultimately is a "message" film in that it exposes the horrors of child trafficking, but it's also made for commercial appeal and should resonate with the larger audience. It's hard to pull off this kind of film and make it work. How does one entertain without hitting the viewer with a sledgehammer? It's a delicate balance, and this one weighs in perfectly.


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