| Cast overview, first billed only: | |||
| Toni Servillo | ... | Titta Di Girolamo | |
| Olivia Magnani | ... | Sofia | |
| Adriano Giannini | ... | Valerio | |
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Antonio Ballerio | ... | Direttore Banca |
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Gianna Paola Scaffidi | ... | Giulia |
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Nino D'Agata | ... | Natale |
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Vincenzo Vitagliano | ... | Pippo D'Antò (as Enzo Vitagliano) |
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Diego Ribon | ... | Direttore |
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Gilberto Idonea | ... | Sicario |
| Giselda Volodi | ... | Cameriera | |
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Giovanni Vettorazzo | ... | Letizia |
| Gaetano Bruno | ... | Nicolò | |
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Ana Valeria Dini | ... | Lettrice |
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Vittorio Di Prima | ... | Nitto Lo Riccio |
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Angela Goodwin | ... | Isabella |
Titta di Girolamo apparently has a regular and tedious life with nothing extravagant apart from his own name, as he tends to say. He's been living in a hotel in the Swiss city of Lugano for eight years, spending his days waiting for some kind of change in his boring life. His existence is too rigid and detached, full of loneliness and repetitive routine. Titta ignores everyone and probably has no emotions at all. But one day he decides to break all his personal rules and starts exchanging some words with Sofia, the barmaid at the hotel. His situation suddenly changes, with emotions, love, mafia and death come back violently into Titta's life. Written by 1felco
The consequences of love: There is really something special about this film but it's very hard to put your finger on. It is a love story of sorts but not really one i've seen before. It has several love themes running throughout the film. One mans love for a younger woman, a younger mans love for his older brother, the mafias love of money at all costs these are just some that intertwine in a story that has you guessing or rather not knowing where and how it will end. The cast are all superb from Sophia the teasing barmaid to the straight faced-ness of titta the films central character. With simple yet affective camera work bounced off an ever-changing soundtrack that mixes low-fi trip hop with lush orchestral pieces. The style of the film changes beautifully using several styles without ever getting cluttered. Love has never looked so diverse and powerful as the tales we are told rumble towards various conclusions. The director has married old and new into a rich Italian classic.