The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
When the newly-crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister Anna teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
The Dragon Warrior has to clash against the savage Tai Lung as China's fate hangs in the balance. However, the Dragon Warrior mantle is supposedly mistaken to be bestowed upon an obese panda who is a novice in martial arts.
After receiving the healing powers from a magical flower, the baby Princess Rapunzel is kidnapped from the palace in the middle of the night by Mother Gothel. Mother Gothel knows that the flower's magical powers are now growing within the golden hair of Rapunzel, and to stay young, she must lock Rapunzel in her hidden tower. Rapunzel is now a teenager and her hair has grown to a length of 70-feet. The beautiful Rapunzel has been in the tower her entire life, and she is curious of the outside world. One day, the bandit Flynn Ryder scales the tower and is taken captive by Rapunzel. Rapunzel strikes a deal with the charming thief to act as her guide to travel to the place where the floating lights come from that she has seen every year on her birthday. Rapunzel is about to have the most exciting and magnificent journey of her life.Written by
Douglas Young (the-movie-guy)
Pinocchio can be found in the Snuggly Duckling, right after the cupid is swung to the right of the screen. He is in the top right corner in the rafters. In addition, Pumbaa from The Lion King (1994) (visible in the same scene) and Louis from The Princess and the Frog (2009) (one of the puppets used later in the song) can also be found. It can be inferred that they are all involved in this scene, due to them all having dreams (Pinocchio: real boy, Pumbaa: accepted despite bad gas, Louis: jazz musician). See more »
When mother Gothel takes the flowers out of Rapunzel's hair, it's straight, when it should be curled from the braids. See more »
This is the story of how I died. Don't worry, this is actually a very fun story and the truth is, it isn't even mine. This is the story of a girl named Rapunzel.
See more »
In tribute to Pascal, the directors included a "Chameleon Babies" credit in the film's closing credits, parodying the more traditional "Production babies" credit. See more »
I was apprehensive, to say the least, when I went to see Tangled, after the disappointment that was Princess and the Frog. First, Disney's back with CGI animation, which hasn't really worked that great except, maybe to some extent, Bolt. Second, the trailers made it look really slapstick -- I'm rather wary of today's animation features that try too hard to be hip and fast-paced and silly.
I was pleasantly surprised. Sure, there were slapstick and broad humor sure to make little kiddos laugh. But I was surprised by the sophistication as well. The screwball comedy between the hero and heroine is very well done; adults can appreciate that. The sidekicks, in particular the Max and Pascal, are hilarious. The hero and heroine are very likable and not flat. And there's a sense of sadness/wistfulness throughout the whole show that the adults will understand.
But what really is great is the animation. This is Pixar-worthy great. In fact, after a while I forgot it was CGI (which tends to be a bit stiff and crude when it comes to character animation). The human characters have that hand-drawn quality even though they're CG. In fact, they're more expressive than the hand-drawn characters in Princess and the Frog. The backgrounds are gorgeous (I can count every blade of grass). And there's an iconic scene where the kingdom rouses from darkness to light with thousands of floating lanterns -- it really is magical. It reminds me of classics such as Beauty and the Beast and Sleeping Beauty.
Best of all, the movie is not just all laughs and slapstick. It has heart too. Even the minor characters such as the King and Queen -- you can feel the emotions. And the romance is believable and not cheesy.
Like I said, I was very pleasantly surprised. It's something that is worthy of Pixar, and I'm glad to see Disney back on their game. While Princess and the Frog was a missed opportunity, Tangled is almost perfect.
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