In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace.Written by
The makeup the Geishas wear early in this movie is less traditional and more modern so that it translates to a more modern audience; a Geisha of the time rarely ever fully painted her lips, and would either paint the bottom lip, just the top, or partially the center of both. The full painting of lips did not come until after the forties and the fifties, with the increase of Western culture and style. See more »
After her first encounter with the Chairman, Chiyo is shown running from the hanamachi of Gion, through the red Torii gate trails of Fushimi Inari to a shrine where she gives coins as an offering. In reality, not only is Fushimi Inari several miles from Gion, and therefore an inconceivable location for a small girl to make a round trip to on foot, its gates form a circuitous path on the side of a mountain and do not lead anywhere outside the shrine itself. See more »
[tallying up little Chiyo's costs, after her fall]
Doctor Mora is very expensive. You seem to be racking up quite a debt. Kimono, destroyed. Train ticket, Mr. Bekku, rice and pickles, geisha school, and on top of the money I paid Mr. Tanaka. And for what?... And now I hear your sister has run away. She didn't wait for you and now she can never come back. You must forget you ever had a sister.
[handing her a bundled package]
We are your only family now.
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Kanjincho (The Subscription List)
Written by Rokusaburo Kineya (as Kineya Rokusaburo)
Performed by Ensemble Nipponia
Courtesy of Nonesuch Records
By Arrangement with Warner Music Group Film & TV Licensing See more »
I was initially dubious about going to see this film after I read a lot of mixed reviews. However, I am glad that I decided to just bite the bullet and go see it. This is one of the most visually stunning and entrancing films I have ever seen, with a wonderful storyline which had me clutching the edge of my seat in sheer frustration! I absolutely loved the love story that was central to the film, although I was a bit worried by the age gap. lol. It made me really want a snow cone though. I thought Zhang Ziyi was fantastic in the part of Sayuri, and she made the character very endearing and real. I am a big fan of Ken Watanabe, and it was good to see him in a part like this; the relationship was very believable and I thought they were both great. In fact, all the actors in this film did their characters justice and helped to make the film as beautiful and Oscar-worthy as it is. I just loved the story and all the sets that provided a wonderful backdrop for such an emotional, powerful tale. I recommend this to everyone! It's THAT good!
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