7.4/10
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554 user 226 critic

Memoirs of a Geisha (2005)

PG-13 | | Drama, Romance | 23 December 2005 (USA)
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2:34 | Trailer

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ON DISC
Nitta Sayuri reveals how she transcended her fishing-village roots and became one of Japan's most celebrated geisha.

Director:

Writers:

(screenplay), (book)
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Popularity
2,834 ( 98)
Won 3 Oscars. Another 27 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Chiyo
... Tanaka
... Sakamoto
... Satsu
... Sakamoto's Wife
Thomas Ikeda ... Mr. Bekku
... Hatsumomo (as Gong Li)
... Auntie
... Mother
... Young Pumpkin
David Okihiro ... Shamisen Teacher
Miyako Tachibana ... Dance Teacher
Kotoko Kawamura ... Granny
... Koichi
... Korin
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Storyline

In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by Jwelch5742

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature subject matter and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

23 December 2005 (USA)  »

Also Known As:

Memorias de una geisha  »

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Box Office

Budget:

$85,000,000 (estimated)

Opening Weekend USA:

$682,504, 11 December 2005

Gross USA:

$57,490,508

Cumulative Worldwide Gross:

$162,242,962
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Maggie Cheung was once considered for the role of Mameha. See more »

Goofs

When Chiyo's virginity is discussed, you can see Mother smoke cigarettes (in a holder). During the scene the length of the cigarette varies. See more »

Quotes

Sayuri Nitta: I am not worthless!
See more »

Connections

Referenced in Drag Race Thailand: Curtain to Couture (2018) See more »

Soundtracks

Shika No Tone (Distant Calls of Deer)
Written by Kinko Kurosawa
Performed by Tajima Tadashi
Courtesy of Network Medien GmbH Frankfurt Germany
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Frequently Asked Questions

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User Reviews

 
A worthy big screen experience
17 December 2005 | by See all my reviews

Going into the film, I had worries with all the slamming critics have given, even though I didn't read all of them in details. However, I'm happy to say it turns out to be one of more satisfying movie experiences of the year.

First I echo the sentiment that the film is simply technically perfect. The retro-mood it created had me immensed in the world of geisha from beginning to the end. It's very 1930 Shanghai like. The music score isn't as haunting as the one in CTHD, but it is still masterfully composed and fits in the background very well. It's worth seeing for the big screen experience alone. The story also never dragged, as each of the three parts flowed nicely. I normally don't like voice-over, but here it really held the movie together and helped to move the story along.

As for the accents, the problem has definitely been exaggerated. I was expecting a lot of unpleasant broken English to be spoken, but they all sounded fine to good, not just from the most fluent Michelle Yeoh, but Ken Watanabe, Youki Kudoh (who plays Pumpkin) and other supporting casts. Gong Li had a few awkward lines at the beginning, and Ziyi had more and is the one who had to try the hardest, but both pulled off admirably and didn't hurt their performances in the process.

Talking about performances, I think almost all of them did well. It's much more of an ensemble piece, and I was especially impressed by the young Sayuri and Ken Watanabe.

The main problem I have is with character development. It is a Cinderella story at heart, but the good and evil are too clear-cut and lack dimension. I also want to see more ups and downs for the competition between Ziyi and Gong Li. Gong did all she could, but the script didn't allow her to be a worthy opponent. Except for some verbal back-and-forth between the two and a few dirty tricks from Gong, there was no reason to believe why she was the most famous geisha in Japan before Ziyi arrived.

In addition, the Mother character is over-the-top and didn't fit the emotional aspect the film quite well, although she did provide some comical moments. The big dance scene had excellent buildup, but the execution of the dance felt flat. It lasted only about 30 seconds, while doubling that and making it more mesmerizing would have made the whole middle act more effective.

These flaws didn't overshadow the fact that what was put on screen worked for me. Will I be willing to watch it again with friends? In a heartbeat. Will I recommend it to others? Definitely. With that in mind, I give the film an A-.


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