In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace.Written by
The film's winter light effect was discovered accidentally days before production. With the silk rigged to prevent rain water from damaging the set, the rigging crew attempted to emulate daylight during night. Gaffer John Buckley threw 3/4 lights from top to bottom of the set through the silk. Thus was the result and it was what Dion Beebe got which he went on to win Best Cinematographer of 2005. See more »
When Chiyo's virginity is discussed, you can see Mother smoke cigarettes (in a holder). During the scene the length of the cigarette varies. See more »
[with Chiyo, folding kimonos]
Only reason Mother tolerates Hatsumomo is because she brings in good money. Never forget, it is Hatsumomo who pays for your supper, the clothes on your back. By the time she was twenty, she had already earned back her purchase price. Unheard of! She has been the talk of the hanamachi ever since.
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Kanjincho (The Subscription List)
Written by Rokusaburo Kineya (as Kineya Rokusaburo)
Performed by Ensemble Nipponia
Courtesy of Nonesuch Records
By Arrangement with Warner Music Group Film & TV Licensing See more »
I lived in Japan for 3 years and I loved the book, rich with visual imagery. I went to the see the movie with a good deal of trepidation, convinced that they were going to butcher it and sex it up to appeal to American audiences. Instead I sat spellbound in my seat as I watched the images that Arthur Golden has created in my mind with words years before, play themselves out on the screen in front of me. Every shot, ever scene, every tiny detail was just beautiful. I literally did not look away from the screen the entire time. The acting wasn't spectacular. I think they could have found somebody better to play Sayuri. The children were all wonderful. The stand-out actress by far was Gong Li as Hatsumomo. The villain had the best opportunities to show her skills as a thespian. The plot stuck very closely to the book. They eliminated the scenes that they needed to in the interest of time, but they didn't try to take any shortcuts or speed up the plot. I really felt like the story was played out beginning to end without sacrificing any of the meat. You'll read a lot of reviews in the coming weeks praising the gorgeous photography. Every word is true. Words like "lush" and "exquisite" only begin to do it justice. I've never had the experience of being transported to another time by a movie in quite this way.
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