Días de Santiago

Dias de Santiago is the opera prima of a Peruvian director that with very low budget managed to tell the stressful story of Santiago. It is a strong movie... I think that people that like independent movies will love this one.

The plot: Santiago is a 23 year old retire marine that returns to Lima after 3 years from fighting in the Peruvian jungle against drug traffic, terrorism and a conflict with neighbor country, Ecuador. Although Santiago was constantly attacked by guilty feelings of the abuses committed by the Peruvian Armed Forces while he was in service (women, children and old people were assassinated with no apparent cause; young women were rapped by members of the armed force; under-the-table negotiations were made with drug mobs, etc.) he was proud of who he was back then. Back in Lima, Peru's centralized capital, things are very different. This chaotic concrete jungle has its own rules, mostly unwritten ones. Santiago is obsessed in trying to decipher the codes, but he fails because his family and friends don't live the structured way of the army.

I'm a Peruvian person who has been living abroad for two years, and this movie came to me just a while ago. I would have to say that for someone who has not lived in Peru, it would be hard to understand the situations the character goes through, but for people like me who have lived all their life in Peru, and understand what the character is going through, it becomes an amazing experience. Pietro Sibille's interpretation of an ex-military who tries to live a normal life is simply amazing, counting that he had never had a lead before, and bringing realism to the movie. The director took the essence of real life situations and put them on the big screen, making the movie worth watching, and I would recommend it to anyone interested in independent cinema / foreign movies.

Lima, Peru. If you ever been there you will recognize the sad truth about that city: poverty and misery all over. For a movie coming from Peru, I think it was very good, but it cannot stand with international standards: most of the actors were pathetic:) Now, don't understand me wrong, the movie is nice, and I recommend it, BUT is still far away from the Italian neo-realism (It is indeed a neo-realist film..) and WAY far away from the Taxi Driver, that many people compare it with. The streets and the atmosphere from Lima was caught very good on the screen using some black and white images alternating with colored ones, but other than this, don't expect anything spectacular.

7/10 - one of the best Peruvian movies.

I just saw this on HBO in the US tonight. this film grabs you and pulls you along. the cinematography is competent and in no way flashy. but you feel like you are there. you can really empathize with the main character Santiago. this film simply rings true in all its aspects. this is one of the best movies I have seen in years. I don't know much about the actor who portrays Santiago (whether is very brilliant or brilliantly typecast) because I have not seen him in anything else. his performance in this movie was just excellent. frankly there were no weak performances from my perspective. Sounds like I really loved this movie doesn't it? I did.

PS: this will quickly be dated but if you are hooked up to adelphia/comcast cable in the US they are listing this movie inexplicably/erroneously as "a day without Mexicans"

Peruvian writer/director Josue Mendez has made a brave little low budget film that deals with a subject currently burgeoning our hospitals in this country as the fallout of the war on Iraq and still plagues the veterans of the Vietnam War - Post Traumatic Stress Syndrome (aka Battle Rattle). This is a difficult topic to dramatize without being preachy or maudlin, but Mendez has succeeded where others have failed.

Santiago (Pietro Sibille) is a 23-year-old retired veteran who was conscripted at age 16 and trained to be a killer - assigned to fighting in the war against Ecuador, against terrorists, and against the drug mafia. He returns to his family in Lima a damaged, broken, paranoid misfit who tries to leave his military past behind but mentally returns to it as the only time he felt important. Unable to work he finally begins to drive a taxi and encounters all manner of passengers - wealthy men, girls on the party circuit, disreputable people of all types. He tries desperately to adjust to the post-military life, but find his family in shambles, a wholly dysfunctional unit to which he can no longer relate. How he finds his 'place' in this chaos is the subject of Mendez' story (Mendez has based this on a true story/stories and knows his subject well).

Pietro Sibille as Santiago delivers a credible performance, one that consistently borders on fragmentation of a mind deeply scarred by war and fighting. The remainder of the cast is fine. Mendez uses a mixture of black and white film with color segments and this is distracting to annoying: if the choices of film related consistently to a tenor in the story (which is not the case) then this technique could be considered artistic.

The manner in which the story is related is very much in keeping with the fragmented and paranoid mindset of Santiago and for this the director is to be commended for successfully achieving the next to impossible! Many strong points to a film that is flawed by technical problems. Grady Harp