High school student Katie signs up for a trip to China, where she meets Lin, who has a facial deformity that discourages her from ever showing her face, but her friendship with Katie helps h... Read allHigh school student Katie signs up for a trip to China, where she meets Lin, who has a facial deformity that discourages her from ever showing her face, but her friendship with Katie helps her start to see life in a new way.High school student Katie signs up for a trip to China, where she meets Lin, who has a facial deformity that discourages her from ever showing her face, but her friendship with Katie helps her start to see life in a new way.
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Katie, a teenage girl from Malibu, California, finds herself in the throes of growing up, facing her parents, her boyfriends, her sexuality and a very privileged life. Half a world away in rural, China, Lin, born on the same day as Katie, faces a much different reality. Because of a severe facial deformity, she lives a life of fear and shame. Her father, Daniel, has devoted his life to her, with hopes and dreams that her circumstances will change one day. The opportunity comes with the discovery of the worldwide "Doctor's Gift" program. Katie volunteers and comes to China. Once there, she is deeply touched by the work, which prompts her to take off on her own to find Lin. A "smile" is brought to Lin's face, Katie finds her soul and their extraordinary connection becomes a life-changing experience for both girls. —Anonymous
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A Worthy Little Message Story Stretched to the Limits
SMILE is one of those Op-Ed moments on CNN that can be told with poignant dignity in 10 - 15 minutes and make a significant impact. The trouble with SMILE, the motion picture, is that it stretches this idea into 107 padded minutes, incorporating far more sitcom TV dialog about wealthy families with strident children looking for ways to escape uninspiring parental role models with teenage sex life and outside causes. It takes so long for this movie to get going that it loses the viewer.
The strong elements lie in the concept of the parallel of two girls born on the same day, one to the wealthy Malibu family with everything but concord, an the other left as an unwanted deserted orphan because of a facial deformity, salvaged by a caring worker who raises her as his own. The stories run parallel through the teen years when the Western girl seeks meaning to life by joining a humanitarian medical group whose efforts are directed toward offering the Eastern girl a chance at a normal appearance. The comparison of the lives of the two girls and their disparate families is tender and meaningful and that alone is worth the effort to tell this tale.
The actors are very good for the most part - Sean Astin in his most mature role to date, Mika Boorem as the Western girl and Yi Ding as the Eastern girl, and Beau Bridges and Luoyong Wang as the apposing fathers, Linda Hamilton as a rather tiresome mother, and some good young actors in supporting parts. The cinematography in China is very lovely but there is little tie in with the California counterpart. Jeffrey Kramer directs with less hold on pacing than on commitment to a worthwhile tale begging for brevity. Grady Harp
The strong elements lie in the concept of the parallel of two girls born on the same day, one to the wealthy Malibu family with everything but concord, an the other left as an unwanted deserted orphan because of a facial deformity, salvaged by a caring worker who raises her as his own. The stories run parallel through the teen years when the Western girl seeks meaning to life by joining a humanitarian medical group whose efforts are directed toward offering the Eastern girl a chance at a normal appearance. The comparison of the lives of the two girls and their disparate families is tender and meaningful and that alone is worth the effort to tell this tale.
The actors are very good for the most part - Sean Astin in his most mature role to date, Mika Boorem as the Western girl and Yi Ding as the Eastern girl, and Beau Bridges and Luoyong Wang as the apposing fathers, Linda Hamilton as a rather tiresome mother, and some good young actors in supporting parts. The cinematography in China is very lovely but there is little tie in with the California counterpart. Jeffrey Kramer directs with less hold on pacing than on commitment to a worthwhile tale begging for brevity. Grady Harp
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- gradyharp
- Oct 12, 2005
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