John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John m... Read allJohn Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
- Awards
- 11 wins & 11 nominations
Jennifer Alden
- Christina Cleary
- (as Jenny Alden)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Christopher Walken and Rachel McAdams are dancing at the engagement party, Walken kept saying "fart" to keep McAdams smiling after dancing had become quite repetitive.
- GoofsWhen Sack calls his friend to check up on John and Jeremy, he only knows their fake surname, Ryan. If Sack's friend actually checked up on those two "brothers," he would not learn that they were wedding crashers who go to weddings to meet and seduce women. There is no explanation for how Sack's friend could get the real low-down on these two individuals in such a short period of time.
- Quotes
Jeremy Grey: I didn't get a lot of sleep last night.
John Beckwith: Soft mattress?
Jeremy Grey: Yeah, it could have been the soft mattress. Or the midnight rape. Or the nude gay art show that took place in my room. One of those probably added to the lack of sleep.
- Alternate versionsThe Unrated version for home video is 7:30 minutes longer.
- ConnectionsFeatured in HBO First Look: Wedding Crashers (2005)
- SoundtracksHorn Concerto No. 4 in E Flat Minor
(1786)
Written by Wolfgang Amadeus Mozart
Arranged by Steve Gray, Herbie Flowers, Tristan Fry, and Kevin Peek
Performed by The Swingles
Courtesy of EMI Classics
Under license from EMI Film & Television Music
Featured review
Good comedy that only struggles when it has to focus on the actual narrative
John Beckwith and Jeremy Grey are committed bachelors who enjoy their womanising ways. They specialise in crashing weddings and picking up women for one night stands by taking advantage of their lower defences. Countless scores of women later, John is getting tired but the offer of "one last big job" tempts him back to crash the wedding of Treasury Secretary Cleary's daughter. Things go well until John falls for Claire Cleary while Jeremy finds himself trapped with the frighteningly clingy Gloria as the pair accept an invitation back to the weekend retreat of the Cleary family.
This did not appear strong enough to draw me into the cinema on its release but, on an trans-Atlantic flight it looked like being good enough to fill some time which is actually a pretty fair summary of the film's strengths and weaknesses. I say this because it is funny enough to cover the problems that it has and thus will serve up as an enjoyable experience if you're relaxed enough to let this happen. The strengths lie in the lead two characters they banter, they are lively and they are funny. Funny enough to cover up the fact that they are exploitative and sexual predators and funny enough to mean that the scenes where they are doing their thing are generally enjoyable. Of course it helps that Wilson and Vaughn are both doing their thing as usually and have great chemistry together good news if you usually like them but, if you don't, then why bother? The weaknesses come in with the actual story because, every time someone has to fall in love with someone else, the laughs stop, the pace slows and the whole thing takes on a mushy air that doesn't gel that well with the banter scenes. Likewise the plot devices in the second hour tend to feel a little forced where they are just used to provide direction and create a proper ending etc. This doesn't mean it is terrible but it cannot be a good thing when you actively wish the plot would take a backseat in a film. The support cast share the comedy reasonably well; McAdams is cool and appealing, Fisher is a bit OTT but is funny, Seymour plays on her sexy image really well while Walken is reliable as ever as Christopher Walken.
Overall this is an enjoyable if patchy comedy. It trades on the usual delivery and chemistry between Wilson and Vaughn and the two do well to produce the film's best scenes when they are together. The need for a plot, romance and separation does hurt the film a little (because it is not as good as the aimless banter) but not a massive amount. Not a great comedy then but certainly good enough to please anyone who liked Anchorman, Dodgeball and other films of similar styles of humour.
This did not appear strong enough to draw me into the cinema on its release but, on an trans-Atlantic flight it looked like being good enough to fill some time which is actually a pretty fair summary of the film's strengths and weaknesses. I say this because it is funny enough to cover the problems that it has and thus will serve up as an enjoyable experience if you're relaxed enough to let this happen. The strengths lie in the lead two characters they banter, they are lively and they are funny. Funny enough to cover up the fact that they are exploitative and sexual predators and funny enough to mean that the scenes where they are doing their thing are generally enjoyable. Of course it helps that Wilson and Vaughn are both doing their thing as usually and have great chemistry together good news if you usually like them but, if you don't, then why bother? The weaknesses come in with the actual story because, every time someone has to fall in love with someone else, the laughs stop, the pace slows and the whole thing takes on a mushy air that doesn't gel that well with the banter scenes. Likewise the plot devices in the second hour tend to feel a little forced where they are just used to provide direction and create a proper ending etc. This doesn't mean it is terrible but it cannot be a good thing when you actively wish the plot would take a backseat in a film. The support cast share the comedy reasonably well; McAdams is cool and appealing, Fisher is a bit OTT but is funny, Seymour plays on her sexy image really well while Walken is reliable as ever as Christopher Walken.
Overall this is an enjoyable if patchy comedy. It trades on the usual delivery and chemistry between Wilson and Vaughn and the two do well to produce the film's best scenes when they are together. The need for a plot, romance and separation does hurt the film a little (because it is not as good as the aimless banter) but not a massive amount. Not a great comedy then but certainly good enough to please anyone who liked Anchorman, Dodgeball and other films of similar styles of humour.
helpful•5027
- bob the moo
- Dec 11, 2005
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Những Kẻ Phá Rối Hôn Lễ
- Filming locations
- Assateague Island National Seashore, Maryland, USA(beach scene)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $209,273,411
- Opening weekend US & Canada
- $32,200,000
- Jul 17, 2005
- Gross worldwide
- $288,485,135
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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