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Barcelona, 1913. Alma is perhaps one of the most modern women of her day.Her husband, Dr. Leon Pardo, is a psychiatrist. This summer, he visited Vienna and became a follower of the revolutionary Dr. Sigmund Freud and his advanced theories about hysteria and sexuality. It all starts the afternoon Alma comes home and finds her husband in tears, about to disappear from her life and everyone else's. Giving no more explanation than a few incoherent mumbles, Leon runs off, leaving Alma alone and about to give birth. Salvador is Alma's brother-in-law and a psychiatrist as well. He is much more conservative man than Leon, is deeply in love with Alma. The only clue they have is a manuscript about hysteria and female sexuality based on four patients: An actress with a persecution complex; a psychotic woman who tried to murder her husband; a woman with a serious crisis concerning her sexual identity; a stranger who has discovered a terrible secret about her past. Following those signs, Alma and ...Written by
I saw this at Sundance and enjoyed it very much. It is a clever farce involving physical comedy as well as satire. The main target of the movie appears to be Freud, but there are other psychoanalysis jokes as well. For me, the performances of Luis Tosar and Leonor Watling made the movie sparkle. The two of them have chemistry that transcends language. The dialog was fast paced and the script was smart and crisp. The two leads find themselves in increasingly goofy situations until the final climax where the mystery is solved. I think that this was the best of the 12 films I saw at Sundance this year, and I am hoping that the DVD comes out soon so I can see it again! (This is not a movie for kids; perhaps older teens will enjoy it. It is in Spanish with subtitles, so those who do not like to read subtitles be warned)
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