John Halder, a German literature professor in the 1930s, is initially reluctant to accept the ideas of the Nazi Party. He is pulled in different emotional directions by his wife, mother, mistress and Jewish friend.
Algeria, 1954. Two very different men thrown together by a world in turmoil are forced to flee across the Atlas mountains. Daru, the reclusive teacher, has to escort Mohamed, a villager accused of murder.
Spain 17th century.Diego Alatriste, brave and heroic soldier, is fighting under his King's army in the Flandes region. His best mate, Balboa, falls in a trap and near to die ask to Diego, as his last desire, to looking after his son Inigo and grow him as a soldier. Alatriste has to come back to Madrid.Written by
The film is based in a series of novels written by former Spanish war correspondent Arturo Pérez-Reverte. He had the idea for the books when he had a look at his daughter Carlota's History book from school and saw that only one page was devoted to the 'Siglo de Oro', the years in the 16th-17th centuries when Spain was the world's dominating superpower. Carlota, then 12, helped her father research the period, and the first novel, published in 1996, was published with 'Arturo y Carlota Pérez-Reverte' as the author. Five novels were published before the film was shot, and the film is based in the most important episodes in all of them... and beyond. The sixth novel was published in Spain in December 2006, and Pérez-Reverte has said he has drawn some inspiration from the film for the upcoming novels. See more »
During the Battle of Rocroi, cannonballs are hitting in the middle of the Spanish formation. The standard practice with cannons is to aim ahead of an enemy formation, that the cannonball may bounce through the front rank and cause as much damage as possible. They would seldom if ever aim for the center of a formation. See more »
This is, to date, Spain's most expensive film, a two hour fifteen minutes long story based on some of the most important bestsellers of the country, the series of Alatriste.
Whichever point you look at it, the film becomes disappointing. The pace is slow, the story gets twists difficult to follow for non readers, and there are some sequences where there is an important lack of realism.
Still, it has some strongholds. The photography is good, and it draws a good painting of what Spain was at that moment. Most of the film is watchable, although we were expecting much more from it. I also think actors and actresses could do better, even Javier Cámara and Elena Anaya look impressive.
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