7.3/10
136
4 user

Beyond the Sea of Death 

An heiress finally finds a young man who loves her for herself instead of her money. After he dies in a Bolivian mine explosion, she tries to regain contact with him through an Indian mystic.

Director:

Alf Kjellin

Writers:

Miriam Allen DeFord (short story), William D. Gordon (teleplay) | 1 more credit »
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Cast

Episode cast overview:
Alfred Hitchcock ... Himself - Host
Mildred Dunnock ... Minnie Briggs
Diana Hyland ... Grace Renford
Jeremy Slate ... Keith Holloway
Abraham Sofaer ... Dr. Shankara
Ann Ayars ... Lucy Barrington
Orville Sherman ... Charles
Francis De Sales ... Lt. Farrell
Vince Williams Vince Williams ... The Hotel Clerk
Ollie O'Toole Ollie O'Toole ... 2nd Hotel Clerk
Jim Barringer Jim Barringer ... The Messenger boy
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Storyline

An heiress finally finds a young man who loves her for herself instead of her money. After he dies in a Bolivian mine explosion, she tries to regain contact with him through an Indian mystic.

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Details

Language:

English

Release Date:

24 January 1964 (USA) See more »

Company Credits

Production Co:

Shamley Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The lines of the poem that Chris Holloway reads out are the two first lines of the poem "A Ballad of Boding" by Christina Georgina Rossetti. See more »

Quotes

Minnie Briggs: [to Grace Renford] You're in love with a ghost.
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User Reviews

 
predictable but well enough done to watch
22 June 2013 | by HEFILMSee all my reviews

The story is heavy on what could really be soap opera, but the reused Bernhard Herrmann music--not from Vertigo but close enough--and some nice profile shots by the director help. The acting is also good the camera direction features a fair amount of nice moving camera shots, framing and re-framing single shots into two shots of the two lovers, along with a nice use of these kind of romantic guy faces girl in matching profile shots to make it seem like drama rather than soap opera. But even if this were a 30 minute rather than 60 minute show it'd be pretty easy to know what's going on way ahead of the ending. It's poor material done well enough to make it acceptable at best. Another of producer Joan Harrison's not so great episodes.


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