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An attorney helps a client threatened by an unstable woman who blames her for a broken wedding engagement.


Joseph M. Newman (as Joseph Newman)


James Bridges (teleplay), Margaret Millar (novel)


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Episode cast overview:
Alfred Hitchcock ... Himself - Host
Joan Hackett ... Helen Clarvoe
Kevin McCarthy ... Paul Blackshear
Kathleen Nolan ... Dorothy Johnson
Brenda Forbes ... Verna Clarvoe
George Furth ... Jack Terola
Curt Conway Curt Conway ... Lt. Bromley
Peggy Moffitt Peggy Moffitt ... Robin Rath
Anthony McBride Anthony McBride ... Tommy Thompson
Len Hendry Len Hendry ... Mr. Horner
William Boyett ... The Young Policeman
Jimmy Joyce Jimmy Joyce ... The Cab Driver
Bruce Andersen Bruce Andersen ... The Father


An attorney helps a client threatened by an unstable woman who blames her for a broken wedding engagement.

Plot Summary | Add Synopsis







Release Date:

20 March 1964 (USA) See more »

Company Credits

Production Co:

Shamley Productions See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:


Aspect Ratio:

1.33 : 1
See full technical specs »

Did You Know?


Remade as Alfred Hitchcock Presents: Beast in View (1986) See more »

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User Reviews

Who's That on the Phone
6 May 2015 | by dougdoepkeSee all my reviews

Squeaky-voiced Dorothy (Nolan) really has a mad on at ordinary girl Helen (Hackett). She thinks Helen ruined her wedding engagement to the the girl's brother. Now Dorothy makes threatening calls to harass poor Helen. Sick of the annoyance, Helen finally hires attorney Blackshear (McCarthy) to go after the stubborn Dorothy. Naturally, being Hitchcock, not everything is exactly as it appears.

In my view, it's an uneven entry that would have worked better in the 30-minute format. Too many scenes at the photographer's, for example, smack of padding, while McCarthy's largely wasted in a routine role. Then too, the climactic sequence would have more impact if it didn't linger well beyond its reveal. Nonetheless, the story's a chance for the star-crossed Joan Hackett to show her acting chops, which she does. Plus, special effects gets a workout setting up the baroque flashback, which is quite unusual for TV of the time. But then that's why many of us catch these entries, since we can always expect the unexpected.

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