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Spartacus (1913)

Spartaco (original title)
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Cast

Credited cast:
Mario Guaita-Ausonia Mario Guaita-Ausonia ... Spartaco (as Mario Ausonia)
Cristina Ruspoli Cristina Ruspoli ... Idamis
Enrico Bracci Enrico Bracci ... Marcus Licinius Crassus
Maria Gandini Maria Gandini ... Narona
Luigi Mele Luigi Mele ... Noricus
Verdi Giovanni Verdi Giovanni ... Artemon
Rest of cast listed alphabetically:
Luciano Albertini ... (unconfirmed)
Alberto Capozzi ... (unconfirmed)
Signor Fretti Signor Fretti ... (unconfirmed)
Achille Majeroni ... (unconfirmed)
Leo Ragusi ... (unconfirmed)
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Storyline

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Details

Country:

Italy

Language:

Italian

Release Date:

11 May 1914 (USA) See more »

Also Known As:

Spartacus See more »

Company Credits

Production Co:

Pasquali e C. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Sadly, the censors chose to make some deletions in the surviving print which result in an all too sudden denouement in which the fate of Noricus is more or less left to the viewer's imagination. See more »

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User Reviews

 
Curio value high, but....
15 December 2007 | by eschetic-1See all my reviews

This appears to be the same film issued the following year in the United States as SPARTACUS (the database offers no other potential films within a decade of SPARTICO). One of the joys of the silent era was that film could more easily be a truly international medium merely by the insertion of new title cards of an alternate language, and these were literate and interesting - if at strange variance with the story as usually understood from history and later films.

Unfortunately, the surviving print I have seen was severely truncated to only about an hour and with no credits. The plot refers to Crassus (the brutal Roman Consul who put down the slave revolt led by Spartacus and crucified the survivors as a warning to future slave rebellions), but has no mention either of slave rebellion (other than a bit of adultery) or crucifixion ('though there is much use of throwing prisoners and revealed "bad guys" to the lions in the Colloseum). It is presented as more of a "sword and sandal" telling of a standard domestic intrigue romance and possible murder.

In the print viewed, the use of the title would seem to be merely one of box office convenience, but who knows what might have been in the missing half hour? The production values are relatively high with excellent period sets and costumes for 1913, but fast cuts away from actual action which might have been difficult or dangerous to film - falls from walls or confrontations with actual beasts - disappoint.

To modern eyes, the set pieces of massed groups trooping in and out don't excite, but the one-on-one interactions of Spartacus and his lover are, for all the period emoting, are involving. A complete print should he interesting.


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