The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
To cheaply create the effect of something coming out of the tunnel and jumping up in the observer's face, the dream sequence in which Brendan sees Emily coming out of the tunnel is shot in reverse. You can see this because the water appears to be flowing out of the tunnel, while in all the other shots, it's flowing in. See more »
While Brendan and the Pin are having their discussion on the beach
as the sun sets. The sun's level above the horizon changes between
shots. See more »
I tried stretching to watch this movie with an open mind, some 'arty' movies take a while to build toward a payoff. But the clues that were shown to me in this mystery pointed toward no payoff whatsoever, so I didn't finish it. It sucks. I hadn't heard much about the movie, so I was wondering 'is this an un-funny farce?'. I guess it isn't a farce, it's supposed to be a noir. It's a disaster.
Unbelievably pretentious dialog, and 'hipster' speech. I thought that kind of talk died in the 1970s.
The mindset of the teenagers, trying to put forth this 'world' they supposedly live in, in a high school setting just doesn't fly. It's like a very, very bad high school play, painfully aware that these are just kids trying to be something they're not, never have been, and never will be. Even high school at it's worst was never that bad. Seriously, this film gives you respect for the portrayal of high school in Beverly Hills 90201, which at least had *some* believability to it, even if you didn't like it. In most films, with good or bad acting, I'm generally not aware that they are acting. Not the case here.
Pretension takes an even worse form in the wardrobes. I didn't check the spoilers box, and I'm new at this, so I'll be vague. All I'll say, is that I stopped the film and gave up at the introduction of a character, who was dressed too stupid for me to watch. (those reading this who have seen the film probably can guess who I'm talking about, lets just say he made the film a CAPEr)
You've got to have some respect for the audience This director, clearly doesn't. As for those who say that people who didn't like the film 'didn't get it', ie, modern film noir, compare this to 'Match Point', made the same year. This film is just a very tired rip-off of whatever it was trying to reference.
The saddest thing is, since the film had popularity, there may be outsider kids who try to model some of this style in their own high schools, and it's going to take them down another notch they cant afford
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